Page 103 - The Language of Humour
P. 103

90 SPOKEN HUMOUR—TELEVISION AND RADIO
            inspired similar shows on British television, involving a group of young
            single people.  Both shows ref lect  the move  away from  the nuclear
            family as the norm.
              Only Fools and Horses ran for several series on BBC and its final
            episode was watched by a record 24.5 million people, so it indicates the
            current British taste in television humour. The situation is an extended
            family—two brothers living first  with their  grandad,  then  with their
            uncle in a high-rise council flat in East London. Both have aspirations to
            escape from their lifestyle: the older brother, Del, wheeling and dealing
            in anything which might sell on a market stall, the younger, Rodney,
            studying at night school. The title comes from the theme tune:’ Why do
            only fools and horses work?’  Although this seems to be a  critical
            comment on working-class culture, many of the episodes contrast the
            ethics of their way of life with yuppie lifestyles.
              As well as the comic potential of the situation, the dialogue uses a
            number  of humorous devices of incongruity. For example, there  is
            humour in bizarre image: ‘Poor old grandad—he was about as useful as
            a pair of sunglasses on a bloke with one ear.’
              The discourse moves in unexpected ways, when the brothers are
            arguing about why Del wants to buy their council flat:
            Del:         The flat has warm memories.
            Rodney:      Why do you wanna buy it?
            Del:         So I can sell it.
            Still arguing about the flat, neat balance is used to create the twist in the
            punchline:
            Rodney:  It’s only fifteen minutes from the motorway…
            Del:     And fifteen minutes from the ground!
            The sitcom  Friends has  been so popular that  in 1997 the  series  was
            rerun on Friday nights as the beginning of Channel 4’s night of comedy
            advertised with the slogan ‘Give your remote the night off.’ A range of
            products has been marketed as a further mark of its cult status, so the
            material exists in a permanent form in videos and written compilations.
            The following activity asks you to consider the ways in which  the
            situation, the characters and their relationships matches the definition
            (outlined on p. 91) of situation comedy, as opposed to comedy drama.
            More importantly, try to assess what makes this particular sitcom so
            popular.
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