Page 169 - The Master Handbook Of Acoustics
P. 169

144   CHAPTER SEVEN





                                                    Writing speed-millimeters/second
                                         200         315     500      800      1000
                                           0
                                       Relative sound pressure level, dB   20
                                          10




                                          30


                                          40

                                          50

                                      FIGURE 7-9
                                   The same 63-Hz octave decays recorded with five different recorder-pen-response
                                   speeds. The solid straight lines indicate instrument-limited decay. The broken lines all
                                   have the same slope.


                                   rather than that of the room. For every writing speed and paper speed
                                   setting, there is a minimum reverberation time that can be measured.
                                   The broken lines drawn through the decays all have the same slope. In
                                   Fig. 7-9, it would appear that this particular decay is measured equally
                                   well by any of the five traces, although the more detail, the more uncer-
                                   tainty in fitting a straight line. Writing speed is just one of the several
                                   adjustments that must be carefully monitored to ensure that important
                                   information is not obscured or that errors are not introduced.

                                   Frequency Effect
                                   Typical decays for octave bands of noise from 63 Hz to 8 kHz are
                                   included in Fig. 7-10. The greatest fluctuations are in the two lowest
                                   bands, the least in the two highest. This is what we would expect from
                                   the knowledge that the higher the octave band, the greater the number
                                   of normal modes included, and the greater the statistical smoothing.
                                   We should not necessarily expect the same decay rate because rever-
                                   beration time is different for different frequencies. In the particular
                                   voice studio case of Fig. 7-10, a uniform reverberation time with fre-
                                   quency was the design goal, which was approximated in practice.
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