Page 81 - The Master Handbook Of Acoustics
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56   CHAPTER THREE



                                   sone, the loudness experienced by a person hearing a 1,000-Hz tone at
                                   40-dB sound-pressure level, or 40 phons. A loudness of 2 sones is then
                                   10 dB higher; a loudness of 0.5 sones is 10 dB lower. A straight line can
                                   be drawn through these three points, which can then be extrapolated
                                   for sounds of higher and lower loudness.
                                      As crude as this graph may be, it is a way of getting at the subjec-
                                   tive factor of loudness. The value of this line of reasoning is that if a
                                   consultant is required by a court to give his or her opinion on the loud-
                                   ness of an industrial noise that bothers neighbors, he or she can make
                                   a one-third octave analysis of the noise, translate the sound-pressure
                                   levels of each band to sones by the help of a series of graphs such as
                                   Fig. 3-9, and by adding together the sones of each band, arrive at an
                                   estimate of the loudness of the noise. This idea of being able to add
                                   component sones is very nice; adding decibels of sound-pressure lev-
                                   els is a path that leads only to confusion.
                                      Table 3-1 shows the relationship between loudness level in phons
                                   to the subjective loudness in sones. Although most audio workers will
                                   have little occasion to become involved in phons or sones, it is good to
                                   realize that a true subjective unit of loudness (sone) is related to loud-
                                   ness level (phon), which is in turn related by definition to what we can
                                   measure with a sound-level meter. There are highly developed empir-
                                   ical methods of calculating the loudness of sound as they would be
                                   perceived by humans from purely physical measurements of sound
                                   spectra, such as those measured with a sound-level meter and an
                                   octave or one-third octave filter. 10




                   Table 3-1. Loudness level in phons vs.     Loudness and Bandwidth
                   loudness in sones.
                                                              In the discussion of loudness we have
                   Loudness   Subjective
                                                              talked tones up to this point, but single-
                   level       loudness
                                                              frequency tones do not give all the informa-
                   (phons)     (sones)      Typical examples
                                                              tion we need to relate subjective loudness
                   100          64         Heavy truck passing  to meter readings. The noise of a jet aircraft
                    80          16         Talking loudly     taking off sounds much louder than a tone
                    60           4         Talking softly
                                                              of the same sound-pressure level. The
                    40           1         Quiet room
                                                              bandwidth of the noise affects the loudness
                    20           0.25      Very quiet studio
                                                              of the sound, at least within certain limits.
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