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              CULTURAL FRONTS: TOWARDS A
               DIALOGICAL UNDERSTANDING

              OF CONTEMPORARY CULTURES



                                    Jorge A. González






             Every single day since birth we have been forced to situate ourselves inside a
             vast  number  of  different  discursive  environments  and  social  situations  that
             touch what we consider necessary to ‘live well’, that help us construct the
             meaning  of  ‘who  we  are’,  and  that  introduce  and  reinforce  the  ‘common
             values’ we share and pursue. As we produce material life in order to survive
             (food, housing, clothing), we also find ways to exist in the middle of an intri-
             cate, dynamic, and constant flow of social discourses. Some of these discourses
             come from professional organizations whose very job is to de fine, regulate, and
             concentrate the meanings of common needs, identities, and values considered
             worth achieving and preserving. These tendencies are the centripetal forces in
             society.
               We will see through the  cultural fronts approach, however, that what is con-
             sidered  and  lived  as  normal,  taken  for  granted,  evident,  given,  truthful,  and
             obvious at any one time should be understood as a collective, but provisory and
             momentary, symbolic order. This precarious arrangement and organization of
             meaning  is  always  subject  to  endless  symbolic  organizational  counter-flows
             between cultural institutions (for example, schools versus churches on sexual
             information; scientists versus journalists on ‘objective’ interpretations of events;
             ‘good’ physicians versus ‘healers’ on the treatment of a simple cold; ‘true’ artists
             versus ‘popular’ singers, and so on). This precarious order is also submitted (or
             should be!) to other kinds of counter-flows and definitions coming constantly
             from ‘bottom-up’, that is, material deployed from the unspecialized zones of
             everyday life. These counter-flows can be seen as centrifugal forces, which not
             only escape from the centralizing tendencies of institutions but take form as
             cultural dialogues that can eventually change the ‘normal’ definitions of life.
               Among  the  most  important  consequences  of  modernity  have  been  the
             processes in which institutional specialists in the symbolic elaboration of the
             world have appeared, changed, and sometimes disappeared. Through intense

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