Page 32 - CULTURE IN THE COMMUNICATION AGE
P. 32

CULTURE  OF  THE  MIND

               occasions.  Meaning  making  involves  situating  encounters  with  the
               world in their appropriate cultural contexts in order to know ‘what
               they are about.’ Although meanings are ‘in the mind,’ they have their
               significance in the culture in which they are created. It is this cultural
               situatedness of meanings that assures their negotiability and, ultimately,
               their communicability.
                                                          (Bruner 1996: 3)

              A second point of interest is that artifacts function in cultural mediation in

               a  mode  of  developmental  change  in  which  the  activities  of  prior
               generations are cumulated present as the specifically human part of the
               environment. This form of development, in turn, implies the special
               importance  of  the  social  world  in  human  development,  since  only
               other human beings can create the special conditions needed for that
               development to occur.
                                                          (Cole 1996: 145)

              The division of mind/brain, mind/body, or individual/society has been a
            thorn  in  the  side  of  Western  scientists  and  philosophers,  dimming  their
            vision of the reality of the mind. Social scientists have failed to understand or
            explain culture well because they have thought about human behavior as if
            only  single-coded,  pure  cognition  mattered.  The  dual  nature  of  artifacts
            eliminates  the  dichotomy  of  individual/society,  and  restores  double  coding
            to culture. Both the individual and the group are simultaneously incorpor-
            ated  in  artifacts  that  mediate  interpersonal  interaction  and  the  evolution  of
            culture.  Finally,  the  individual  mind  emerges  as  a  social  product  in  the
            ongoing process of cultural evolution. Like a tide that emerges from the deep
            ocean, flows in to cover the shore, then ebbs out to reveal marks left behind
            on the sand, the mind is a tide and an ocean at the same time. The tide’s ebb
            and flow are subject to the general laws of gravity, and to the action of the
            sun and the moon, but the nature of the local tide can be known only from
            how the wind, ocean floor, and shoreline govern the ebb and  flow on each
            meeting of water with land. Tide and ocean are the same, but double-coded
            like human consciousness in sensations of the body and perceptions of the
            world.
              Returning  briefly  to  the  Hannerz  passage  cited  on  p.  19,  his  claim  that
            ‘culture  is  in  some  way  collective’  stresses  what  Vygotsky  called  the  social
            origin  of  human  thought  processes  and  the  social  essence  of  all  tools  (Cole
            1996: 110). But Hannerz’s definition of culture then ends with the quixotic
            statement, ‘For culture is the meanings which people create, and which create
            people’. The implications of such an assertion are truly profound. Culture is the
            medium through which we think and feel and, simultaneously, it is an  object of
            thought.

                                          21
   27   28   29   30   31   32   33   34   35   36   37