Page 212 - The ISA Handbook in Contemporary Sociology
P. 212

9781412934633-Chap-12  1/10/09  8:48 AM  Page 183





                                          SITES OF CONFLICT AND COLLABORATION                183


                    Hennion, Antoine (2001) ‘Music Lovers: Taste  Indigenous Peoples’ Movements, and
                      as Performance’,  Theory, Culture and   Challenges to Western Liberal Thought’, in
                      Society, 18(5): 1–22.                   Robert Post (ed.)  Censorship and Silencing:
                    Hennion, Antoine (2002) ‘Quelques remarques  Practices of Cultural Regulation. Santa
                      sur la pragmatique et la réflexivité’,  Monica: Getty. pp. 221–42.
                      Sociologie et Sociétés, XXXIV(2): 219–22.  Marontate, Jan (1998) ‘The Critical Power of
                    Jacobs, Mark and Hanrahan, Nancy (eds.)   Destructive Acts: A Case Study of Transgression
                      (2005)  Blackwell Companion to the      and Recognition in  Contemporary Art
                      Sociology of Culture. NY: Blackwell.    Worlds’, paper presented at a Conference on
                    Kasfir, Sidney (1999) ‘African Art and    Social Theory, Politics and the Arts.
                      Authenticity: A Text with a Shadow’, in Olu  Philadelphia: Drexel University.
                      Oguibe and Okwui Envezo (eds.)  Reading  Marontate, Jan (1999) ‘L’anti-prix comme acte
                      the Contemporary: African Art from Theory  social: vers une esthétique de la subversion’,
                      to the Marketplace. Cambridge, Mass.: MIT  in Jean-Olivier Majastre and Alain Pessin
                      Press. pp: 89–113.                      (eds.) Du Canular dans l’art et la littérature.
                    K Foundation (1993a) Advertisements, Sunday  Logiques Sociales. Paris: L’Harmattan. pp.
                      Times, August 29: 9–14.                 169–88.
                    K Foundation (1993b) Advertisement (‘Artists Are  Marontate, Jan (2001) ‘Singularities and the
                      Not Fulfilling Their Responsibilities to Produce  Sociological Imagination: On Nathalie Heinich’s
                      Work Worthy of the Very Late 20th Century.  Sociology of  the Arts’,  Boekmancahier,
                      Why?), The Observer, November 7: 8.     13(48): 210–29.
                    Lavine, Steven (1992) ‘Audience, Ownership  Marontate, Jan (2002) ‘Les rapports d’apparte-
                      and Authority: Designing Relations between  nance et l’art contemporain en région
                      Museums and Communities’, in Ivan Karp,  périphérique’, Sociologie et Société, XXIV(2):
                      Christine Mullen Kreamer and Steven D.  139–62.
                      Lavine (eds.)  Museums and Communities.  Marontate, Jan (2004a) ‘Le vécu inattendu
                      Washington:  Smithsonian  Institution.  comme défi au statut artistique de l’œuvre:
                      pp. 137–57.                             l’art public non controversé’, in Alain Pessin
                    Lee, S. and Peterson, R. A. (2004) ‘Internet-  (ed.) Les non-publics. Les arts en réception(s).
                      based Virtual Music Scenes’, in A. Bennett  Paris: L’Harmattan, Vol. II, pp. 49–67.
                      and R. A. Peterson (eds.)  Music Scenes.  Marontate, Jan (2004b) ‘Technical Standards
                      Nashville, TN: Vanderbilt University Press.   and Institutionalization Processes in New
                      pp. 187–204.                            Deal Art Projects’,  Journal of Arts
                    Lena, J. (2004) ‘Meaning and Membership’,  Management, Law and Society, Winter,
                      Poetics, 32: 297–310.                   33(4): 281–98.
                    Léontsini, Mary (2002) ‘Questions de contexte:  Marontate, Jan (2005) ‘Museums and the
                      théories postmodernes et déconstruction’,  Constitution of Collective Memory’, in
                      Sociologie et Sociétés. XXXIV(2): 223–8.  Jacobs and Hanrahan (eds.)  Blackwell
                    Levine, Laurence (1980)  Highbrow/Lowbrow:  Companion to the Sociology of Culture.
                      The Emergence of Cultural Hierarchy in  Oxford: Blackwell. pp. 286–302.
                      America. Cambridge: Harvard University  Martorella, Rosanne (ed.) (1995)  Art and
                      Press.                                  Business. An International Perspective on
                    Lingwood, James (1995)  Rachel Whiteread:  Sponsorship. London: Praeger.
                      House. London: Phaidon.               Menger, Pierre-Michel (1989) ‘Rationalité et
                    Lister, David (1993) ‘Money to Burn in an  incertitude de la vie d’artiste’,  Année
                      Eccentric Cause’, Independent, November 24.  Sociologique, 39: 111–51.
                    Lopes, Paul (2002) The Rise of a Jazz Art World.  Menger, Pierre-Michel (1999) ‘Artistic Labor
                      Cambridge: Cambridge University Press.  Markets and Careers’,  Annual Review of
                    Lubar, Steven (1996) ‘Exhibiting Memories’,  Sociology, 25: 541–74.
                      Museum News, 75: 60–1, 71–3.          Menger, Pierre-Michel (2003)  Portrait de
                    Luhmann, Niklas (2000) Art as a Social System.  l’artiste en travailleur. Métamorphoses du
                      Standford: Stanford University Press.   capialisme. Paris: Le Seuil.
                    Marcus, George E. (1998) ‘Censorship in the  Michaels, Eric (1993 [1987])  Bad Aboriginal
                      Heart of Difference: Cultural Property,  Art: Tradition, Media and Technological
   207   208   209   210   211   212   213   214   215   216   217