Page 72 - Analog Circuit Design Art, Science, and Personalities
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Jim Williams




                                                                                   Figure 7-15.
                                                                                   Common mode
                                                                                   rejection ratio
                                                                                   versus frequency
                                                                                   for Al.



















              into court by some fundamentalist op amp group. Even if I could have gotten the
              whole perverse hulking thing to work, it just didn‘t feel right. I could hear Hewlett’s
              simple, elegant little light bulb, which wJorked  so well, laughing at me.
                Somewhere in the venerable Philbr-ick Applicutions Munuul, the writer counsels
              that “there is always a Way Out.” The last circuit (Figure 7-16) shows what il was.
                This configuration is identical to the previous one, except A3 appears along with
              buffer A4. A3 maintains A2’s positive input at virtual ground by servocontrolling
              the formerly grounded nodes of the Wien network and the gain control loop. This
              adds a third control loop to Hewlett’s basic design (this is getting to be a very busy





                                                                                   Figure 7-16.
                                                                                   The final circuit.
                                                                                   A3 eliminates
                                                                                   common mode
                                                                                   swing, allowing
                                                                                   0.0003% (3 pprni
                                                                                   distortion
                                                                                   performarice.

















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