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alchemy 71



                                 You are an alchemist; make gold
                             of that. • William Shakespeare
                                                                     Francis Bacon on
                                              (1564–1616)
                                                                     The Making of Gold

                                                                     Let there be a Small Furnace made, of a Temper-
            tions of a more ancient, quasireligious search for what  ate Heat; Let the Heat be such, as may keep the
            might be termed the fountain of youth: The alchemist’s   Metall perpetually Moulten, and no more; For that
            ultimate quest was to uncover the secrets of matter and  above all importeth to the Work. For the Materi-
            of life itself, so that it might be prolonged indefinitely.  all, take Silver, which is the Metall that in Nature
              Alchemy has long been of interest to historians of sci-  Symbolizeth most with Gold; Put in also, with the
            ence, anthropologists, and a host of other scholars with  Silver, a Tenth Part of Quick-silver, and Twelfth
            an interest in the human religious impulse and its shap-  Part of Nitre, by weight; Both these to quicken
            ing of rituals aimed at the transformation of individuals  and open the Body of the Metall: And so let the
            and social groups. It is a topic perhaps best approached  Worke be continued by the Space of Sixe Mon-
            from four distinct avenues of inquiry: The first has to do  thes, at the least. I wish also, that there be, at some
            with the etymology of the word; the second concerns its  times, an Injection of some Oyled Substance;
            history; the third focuses on both the practice of alchemy  such as they use in Recovering of Gold, which by
            and its ideological foundations; the fourth deals with   Vexing with Separations hath beene made Churl-
            alchemy as a global phenomenon with a set of universal   ish: And this is, to lay the Parts more Close and
            precepts identifiable through cross-cultural comparison.  Smooth, which is the Maine Work. For Gold (as
            The story of alchemy must, in sum, be understood from    we see) is the Closest (and therefore the Heaviest)
            a highly nuanced standpoint that takes into account its  of Metalls: And is likewise the most Flexible and
            complex history and global diffusion. More than just a   Tensible. Note, that to thinke to make Gold of
            simple precursor of the modern science of chemistry, it is  Quick-silver, because it is the heaviest, is a Thing
            a way of thinking about the relationship of humanity and  not to bee hoped; For Quick-silver will not endure
            nature that emphasizes the importance of transformation  the Mannage of the Fire. Next to Silver, I thinke
            in both. It also focuses on the role that human agency   Copper were fittest to bee the Materiall.
            plays in mediating the processes by which substances—
                                                                     Source: Bacon, F. (1627). Century IV of Sylva Sylvarum, or a Naturall Historie in
            natural and human—are  transmuted, or raised to a        ten Centuries. London.
            higher form.
              The word  alchemy enters the English language by
            way of a long philological journey that parallels, in some  four and a half centuries later, Islamic scholars adopted
            respects, the evolution of the practice in the Western  the tradition and added to its cosmological conceptions,
            world. Its semantic core comes from one of two possible  precepts, and practices; ultimately, it was their steward-
            Greek terms: The  first, chymeia, is a noun denoting  ship and mediation that enabled it to spread throughout
            something poured or infused. The second, chêmeia, is a  Europe in the fourteenth century CE.Although considered
            noun that refers specifically to the transformation of  of questionable merit at best by Christian ecclesiastical
            metallic substances. One or the other of these terms was  authorities, alchemy had become a vital part of the Euro-
            likely the source for the Arabic term al-kîmiyâ, which  pean intellectual ethos by the sixteenth and seventeenth
            comes into the lexicon of Medieval Latin as alchimia, into  centuries. Many of history’s well-known personalities,
            Old French as alkemie, and ultimately into English as  including, in England, Sir Walter Raleigh, Sir Isaac New-
            alchemy.                                            ton, and King Charles II, have been favorably inclined
              This linguistic evolution provides some clues as to the  toward its esoteric and exoteric dimensions.
            origin and spread of the art in Greece, Northern Africa,  Moreover, the symbolism of alchemy has had a pro-
            and the Near East. Its first flowering is believed to have  found impact on the literary and artistic traditions of the
            been in Egypt around 300 BCE, a time when scientific  West. Evidence of its influence can be seen in the work
            inquiry was in full bloom in the Hellenistic world. Some  of  William Shakespeare, John Milton, Johann von
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