Page 54 - Communication and Citizenship Journalism and the Public Sphere
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RETHINKING THE MEDIA AS A PUBLIC SPHERE 43

            independent channel of information and discussion, which  facilitated
            the formation of public opinion and democratic influence on government.
              This argument has not gone unchallenged. Some critical studies argue
            that broadcasters internalized external political pressure by censoring
            themselves,  notably in relation to  the conflict  in Northern Ireland. 33
            Attention has also been drawn to the increasing skill and sophistication
            with which politicians, and their publicists, manipulated the airwaves. 34
            This finds an answering  echo in  American studies which  argue that
            presidential  elections have become manipulated ‘TV spectacles’ in
            which meaningful  public participation and political choice has been
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            minimized.  But in the context of Britain, the fine-tuning of the arts of
            TV management should be seen as a belated response by politicians to
            their loss of domination over broadcasting rather than an extension of it.
            Politicians now have much less control over the agenda and terms of
            reference of broadcasting coverage than they did in the 1950s. 36
              A second key theme of broadcasting history is that TV and radio helped
            to  democratize the  relationship between government  and governed. 37
            The TV studio, it is argued, eclipsed parliament as a forum of national
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            debate:  consequently, politics became  a continuous public activity
            rather  than  a  closed affair between professional  politicians followed
            closely only by a politicized elite between elections. Broadcasting also
            cultivated from the 1930s onwards a relaxed, ‘domesticated’ style of
            discussing politics that made it seem personal and accessible rather than
            abstract and technical.  A more aggressive  style  of interviewing
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            politicians  was also developed in the late 1950s, which symbolically
            asserted the accountability of political leaders to the electorate. A more
            egalitarian relationship  was also promoted by  the  development of
            political satire on TV from the early 1960s onwards.
              The rise of broadcasting, like that of the press, is thus portrayed as an
            emancipatory force  that empowered the people.  However,  some
            historians have embroidered this thesis by inserting a radical thread into
            the weave of its whiggish  argument.  Their central contention is  that
            broadcasting broadened the  social and  political basis of popular
            representation in Britain because it was organized along public-service
            lines.
              The policies and views of  the Labour Party were more fully
            represented on the airwaves  than  in the  press because, it is argued,
            broadcasting was subject to a public-service duty to maintain a political
            balance. The public-service duty to inform also generated quality news
            and current  affairs programmes  at peak  times, which  won  mass
            audiences. This helped to offset the knowledge gap between elites and
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