Page 30 - Communication Commerce and Power The Political Economy of America and the Direct Broadcast Satellite
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18            Communication,  Commerce and Power

           without the benefit of rules and norms incorporating the views, inter-
           ests, concerns, and aspirations of all States. ' 2
             Analyses  of DBS  developments and more general  research on US
           foreign  communication  policy  have  been  directly  influenced  by  this
           kind of perspective. In turn, these views have influenced and perhaps
           have even limited attempts to specify the role and precise nature the
           American  state  in  late-twentieth-century  international  information
           and  communication  developments.  Herbert  Schiller,  for  example,
           has portrayed American state policy agents as the instrumental func-
           tionaries  of both  the  US  military  and  US-based  transnational  cor-
           porations (TNCs).  He  argues  that new communication technologies,
           including  DBS,  not only  were  developed  and applied to  further  US
           military and commercial influence over other countries, but also that
           American public and private sector officials were engaged in a some-
           times conscious effort to dominate the world through the exercise of
           some  form  of cultural  power.  Schiller  assumed,  for  instance,  that
           America's  resistance  to  restrictions  on  transnational  broadcasting
           (namely,  its  promotion  of free  flow  of information  principles)  con-
           stituted a prime expression of a cultural imperialism strategy. Accord-
           ing  to  Schiller,  cultural  imperialism  is  'the  sum  of the  processes  by
           which a society is brought into the modern world system and how its
           dominating  stratum  is  attracted,  pressured,  forced,  and  sometimes
           bribed  into  shaping  social  institutions  to  correspond  to,  or  even
           promote,  the  values  and  structures  of the  dominating center  of the
           system.' In this effort, the United States is assumed to represent most
                  3
           directly  the interests  of 'a handful  of media  conglomerates ... [who]
           already dominate the international flow of news, films, magazines, TV
           programs, and other items.' 4
             Cultural  imperialism,  according  to  Schiller,  thus  has  been  a
           significant component of both America's domestic military-industrial
           complex  and US  imperialism writ large.  Primarily through complex
           networks  of elite  relations,  Schiller  believes  that  US  mass  media
           export  efforts  have  been  part  of  larger  attempts  to  mute
           foreign  opposition  to  American  policies  and  corporate  activities.
           Mostly military-based  research and development funds  have  subsid-
           ized and continue to subsidize private sector manufacturers. To vary-
           ing degrees, public and private sector participants in this relationship
           have  used  television  and  other  mass  media  both  to  secure  foreign
           markets  and  to  enhance  political-military  security  by  transforming
           'publics'  into  'consumers.'  Advertisers,  producers  and  other  mass-
           media interests  are  assumed  to  have  been  aware  of these  American
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