Page 31 - Contemporary Cultural Theory
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CULTURALISM

                                 Matthew Arnold

            I do not intend to repeat here Williams’s account of the culturalist
            tradition as a whole, which would be simply impertinent, but rather
            to concentrate on what seem to me four representative figures: Arnold,
            Eliot, the literary critic F.R.Leavis (1895–1978), and finally Williams
            himself. Matthew Arnold is indisputably one of the central figures in
            the culturalist tradition: professor of Poetry at Oxford, inspector of
            schools, and assistant commissioner on the Schools Inquiry
            Commission, he is, both theoretically and practically, perhaps the
            single most important 19th century progenitor of contemporary English
            studies. The key text for our purposes is almost certainly Culture and
            Anarchy, first published in 1869, in part by way of response to the
            extension of the franchise in the Reform Bill of 1867. Arnold’s definitions
            of culture are various: it is sweetness and light, it is the best that has
            been thought and said, it is essentially disinterested, it is the study of
            perfection, it is internal to the human mind and general to the whole
            community, it is a harmony of all the powers that make for the beauty
            and worth of human nature. But, however defined, culture stands in
            opposition to mechanical civilization: “culture…has a very important
            function to fulfil for mankind. And this function is particularly important
            in our modem world, of which the whole civilization is… mechanical
            and external, and tends constantly to become more so”. 4
              Culture is thus for Arnold a social force in opposition to material
            civilization, the equivalent, at the societal level, to his own individual
            rôle as inspector of schools. As such, it clearly requires embodiment
            in some social group or another. But, as is well known, Arnold firmly
            rejected the pretensions to the title of guarantor of culture of each of
            the three major social classes: the Barbarian aristocracy suffers from
            a “natural inaccessibility, as children of the established fact, to ideas’;
            the Philistine middle class is so preoccupied with external civilization
            that “not only do they not pursue sweetness and light, but…even
            prefer…that sort of machinery of business…which makes up [their]
            dismal and illiberal life’; and the working class Populace either aspires
            to follow the middle class, or is merely degraded, “raw and half-
            developed…half-hidden amidst its poverty and squalor”.  No class,
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            but rather the “remnant” of the cultured within each class—what
            today we might perhaps term “an intelligentsia”—sustains the
            continued development of human culture: “persons who are mainly


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