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                                      Contemporary Cultural Theory



                   whose own difference is lived in the peripheral nation—women,
                   subordinate social classes, ethnic minorities, indigenous
                   peoples—than for the postcolonial national intelligentsia itself.
                   Postcolonial theory is thus repeatedly hoisted by its own post-
                   structuralist petard. Ahmad’s critique of Said and Rushdie clearly
                   implied as much. And Said himself conceded something of the
                   same when he wrote that: ‘The national bourgeoisies... tended
                   to replace the colonial force with a new class-based and ultimately
                   exploitative one, which replicated the old colonial structures in
                   new terms’ (Said, 1993, p. 269).



                   RACE AND ETHNICITY IN BLACK AND LATINO CULTURAL STUDIES

                   Race-based cultural politics are normally forged from the
                   common experience of racism. From indigenous movements for
                   the recovery of land and the protection of cultural heritage
                   through to the struggles of immigrant populations to overcome
                   racial and ethnic stigmatisation, the politics of race are played out
                   daily in almost every part of the world. But it is in relation to the
                   African diaspora that it has proven the most bitter and fractious.
                   As Stephen Howe puts it: ‘the central object of the obsession has
                   always been distinctions between black and white’ (Howe, 1998,
                   p. 21). It is precisely these issues and these obsessions that are
                   problematised in the work of black cultural theorists such as Hall
                   and Paul Gilroy in Britain, and Cornel West, Henry Louis Gates,
                   Jr, and bell hooks in the United States.



                   Hall and Gilroy
                   British cultural studies had first begun to explore the multi-
                   culturalism of its own society through a critique of the way
                   white racism constituted blackness as ‘Other’. Hall and a
                   number of his colleagues from the Birmingham Centre co-
                   authored a highly acclaimed ‘cultural studies’ account of
                   ‘mugging’, showing how media constructions of black crimin-
                   ality conferred popular legitimacy on state authoritarianism
                   (Hall et al., 1978). This turn towards race—and ethnicity, gender

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