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                                      Contemporary Cultural Theory



                   Africa and  Asia as in some sense analogously postcolonial.
                   Moreover, the category of ‘postcolonial’ has often been expanded
                   to include not simply the post-independence period, but all
                   writing ‘affected by the imperial process from the moment of
                   colonization to the present day’ (Ashcroft et al., 1989, p. 2). The
                   paradoxical effect of this argument is to obliterate rather than
                   celebrate difference: both between pre-independence and post
                   independence periods and, more importantly, between colonis-
                   ers and the colonised. The colonies of white settlement are not
                   postcolonial in any sense other than that posited by a strict
                   periodisation between pre-independence and post-independence.
                   In every other respect they are instances of a continuing colon-
                   isation, in which the descendents of the original colonists remain
                   dominant over the colonised indigenous peoples.
                      Accounts of how European colonial discourse had constructed
                   the non-European as ‘Other’ cannot plausibly be applied either
                   to Australia or to Canada, still less to the United States. To the
                   contrary, the colonies of European settlement were typically
                   imagined precisely as overseas extensions of Europe itself, as
                   ‘Self’ rather than ‘Other’. Postcolonial literature—defined both
                   as exclusive of non-English language writing and as inclusive of
                   settler writing—has thus increasingly come to represent little
                   more than a fashionable refurbishment of what used to be called
                   ‘Commonwealth literature’.  And, as Salman Rushdie rightly
                   insisted: ‘“Commonwealth literature” should not exist. If it did
                   not, we could appreciate writers for what they are, whether in
                   English or not; we could discuss literature in terms of its real
                   groupings, which may well be national, which may well be
                   linguistic, but which may also be international, and based on
                   imaginative affinities’ (Rushdie, 1991, p. 70).
                      To be fair, the New Zealand postcolonial theorist Simon
                   During, Professor of English at, by turn, the University of
                   Melbourne and Johns Hopkins University, had conceded the
                   distinction between the postcolonialism of the post-colonised and
                   that of the post-coloniser (During, 1990, pp. 128–9). But no such
                   distinction was registered in Ashcroft, Griffiths and Tiffin, for
                   whom the logic of their own argument compelled the inclusion
                   of the United States within the category ‘postcolonial’ (Ashcroft

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