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ContCultural Theory Text Pages  4/4/03  1:42 PM  Page 49





                            Literature and society: from culturalism to cultural materialism



                     at the University of Birmingham. Excluded from ‘English’ by
                     Leavisism, ‘the popular’ had become the subject matter of the
                     new proto-discipline of cultural studies largely at the instigation
                     of Williams and Hoggart themselves. In 1962, Hoggart was
                     appointed Professor of Modern English Literature at Birmingham.
                     Two years later he became director of the new Centre for
                     Contemporary Cultural Studies. For Hoggart, Williams’ ‘inter-
                     esting work’ was to be one source of intellectual inspiration for
                     the Centre (Hoggart, 1970, p. 255). Williams reciprocated,
                     judging this ‘an excellent pioneering example’ of institutional
                     innovation (Williams, 1976a, p. 149). Moreover, Williams’ own
                     work sketched out much of the subject matter of the new dis-
                     cipline. In two books on the media, Communications and Television:
                     Technology and Cultural Form (Williams, 1962; Williams, 1974a),
                     he was able to develop a critique of existing mass media inst-
                     itutions and texts that avoided the disabling cultural elitism
                     of Leavisite criticism. Both books sought to identify the insti-
                     tutional forms that could sustain a properly democratic
                     communications system. Thus the new televisual technologies
                     were, in Williams’ opinion, ‘the contemporary tools of the long
                     revolution towards an educated and participatory democracy’
                     (Williams, 1974a, p. 151).



                     Stuart Hall
                     When Hoggart left Birmingham in 1968, he was succeeded by
                     Stuart Hall, then still very much under the influence of the left
                     culturalist argument. Hall himself had previously co-authored The
                     Popular Arts with Paddy Whannel, a study that dealt directly with
                     problems of ‘value and evaluation’ in the study of popular
                     culture. Like Williams and Hoggart, Hall and Whannel were
                     concerned to rescue what was valuable and creative in ‘popular
                     art’ from its denigration as ‘mass’ culture. Their intention to
                     develop a method for discriminating between ‘good’ and ‘bad’
                     popular culture, and so to educate popular taste, was in some
                     respects clearly residually Leavisite. As Storey sees it: ‘[Hall and
                     Whannel] seem to suggest that because most school students do
                     not have access . . . to the best that has been thought and said, they

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