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ContCultural Theory Text Pages  4/4/03  1:42 PM  Page 52





                                      Contemporary Cultural Theory



                   the argument, however, leaves culturalism with remarkably little
                   to do. In truth, Hall’s was an anti-culturalist argument, its effects
                   all the more damaging because of its professed evenhandedness.
                      The crucial difference here was between Williams’ and Hall’s
                   respective readings of Gramsci. If hegemony is a culture, in a
                   recognisably culturalist sense, as Williams supposed, then it is
                   materially produced by the practices of conscious agents, and
                   may be countered by alternative, counter-hegemonic, practices.
                   If hegemony is a structure of ideology, as Hall came to believe,
                   then it will determine the subjectivity of its subjects in ways
                   that radically diminish the prospects for counter-hegemonic
                   practice. Hegemony as culture is a matter of material produc-
                   tion, reproduction and consumption; hegemony as structure
                   is a matter for textual decoding. While Williams’ interpretation
                   of Gramsci remained resolutely ‘post-culturalist’, Hall pro-
                   gressively assimilated it to a developing structuralist—and
                   post-structuralist—paradigm. These theoretical differences
                   increasingly devolved, moreover, on a particular substantive
                   issue: how to read the political successes of the Anglo-American
                   New Right during the 1980s and 1990s.


                   Postmodern ‘New Times’
                   Defined originally in exclusively British terms as ‘Thatcherism’,
                   but later generalised as ‘New Times’, Hall and his co-workers
                   directly addressed the cultural politics of what we would now
                   recognise as the ‘postmodern’ late twentieth century. The issues
                   at stake were claimed for cultural studies, rather than political
                   science, precisely insofar as they appeared to pertain to the social
                   construction of consent: ‘What is particularly significant for our
                   purposes’, wrote Hall, ‘is Thatcherism’s capacity to become
                   popular, especially among those sectors of society whose inter-
                   ests it cannot possibly be said to represent in any conventional
                   sense of the term’ (Hall, 1988, p. 41).
                      Hall’s analyses commenced from the assumption that Thatch-
                   erism was substantially different from earlier forms of
                   Conservatism, and that this difference centred on the particular
                   ways in which hegemony was established and maintained.

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