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128                        Geoffrey Sykes


                             Charles Peirce into legal theory. The overall aim is to address a theory that
                             begins  to  answer  problems  of  the  incommensurability  of  natural  and
                             mathematical  languages,  as  employed  in  legal  domains,  and  to  serve
                             conceptually and methodologically the needs for implementing, designing and
                             integrating a plethora of multi media tools and processes that are increasingly
                             common in legal practice.
                                 This  chapter argues  that  a conceptual  and  paradigmatic  approach  to  the
                             nature of mathematical reasoning and images, compared with more traditional
                             forms of legal argument and writing, is necessary for an adequate foundational
                             approach to opportunities and practices provided by new and emergent media.
                                 This chapter will first overview the relevance of Kevelson and Peirce for a
                             multi dimensioned understanding of media-as-mathematics. In the second part
                             it  will  introduce  the  research  of  Kort,  and  progressively  highlight  and
                             comment on its features in terms of key ideas of Kevelson/Peirce.


                                       THE “AMORPHOUS, ENTIRE PROJECT” –
                                  INTRODUCING KEVELSON INTRODUCING PEIRCE

                                 Roberta  Kevelson  was  an  American  theorist  of  legal  semiotics  whose
                             books  have  not  received  the  attention  they  deserve.  Their  often  peripatetic,
                             cryptic style can in part explain their lack of dissemination; equally, it can be
                             argued,  her  visionary  conception  of  the  transformative  effects  of  legal
                             technology  and  media  were  just  ahead  of  their  times,  and  neither  well
                             understood nor appreciated by their professional or even scholarly audience.
                                 Kevelson  argues  for  a  flexible  and  generic  approach  to  the
                             phenomenological  and  inferential  character  of  legal  technology,  one  that
                             facilitates ―representation as imaging‖ [1987,  p. 74]. ―Not  only the medium
                             but the instrument with which the medium is implemented becomes part of the
                             total process of enacting values, of creating values.‖ These features allow the
                             law and its tools to be regarded as ―instruments‖ or media which belong to the
                             experience and ―creation of more meaning and sense of value‖; such meaning
                             making extends to all processes of legal argument, decision making and case
                             management.
                                 It is convenient to adopt Kevelson‘s broad, McLuhanesque understanding
                             of media and medium, in order to accommodate diverse methods and concepts
                             involved in the contemporary use of digital and computerised media systems,
                             in legal domains and also generally in contemporary society. In the past two
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