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Processes of elective belonging  51

                   Overall, one mode of analysis is likely to suffer without the other. Similar
                   points can be made with reference to the mass and diffused audiencing of
                   cinema and a range of other cultural activities (Longhurst et al. 2007).
                        A similar sort of position can be derived from Butler but not in ways that
                   she might have anticipated. Thus, in her discussion of drag in Gender Trouble
                   (Butler 1999: 175), Butler argues that in drag, ‘we are actually in the presence
                   of three contingent dimensions of corporeality: anatomical sex, gender iden-
                   tity and gender performance’ and further that  ‘we see sex and gender
                   denaturalized by means of a performance which avows their directness and
                   dramatizes the cultural mechanism of their fabricated unity’.
                        I think that the SPP does something similar for previous conceptions of
                   the audience and ordinary life such as the bounded affected/responding
                   groups of the individuals of the BPP and the incorporated/resistant groups
                   of the IRP. These are reconfigured and rethought within the attention to
                   the processes argued in the idea of the SPP. Thus to rewrite the quote from
                   Butler, I would argue something along the following lines – I see the audi-
                   ences of ordinary life as denaturalized by means of performing processes that
                   avow their directness and dramatize the cultural mechanisms of their fabri-
                   cated unity. It should be noted that this suggests some revision to the SPP. I
                   would now wish to emphasize the importance of the idea of  performing
                   rather than performance (or indeed performativity) for the reasons outlined
                   so far.
                        A number of processes of social life are part of and constitute the per-
                   formance of elective belonging. These include decisions about where people
                   choose to reside and therefore how they can build belonging on this basis,
                   although residence should not be conflated with belonging. Examination of
                   residential belonging involves consideration of the different meanings of
                   places. This involves examination of other places that residents compared
                   their place of residence to. It also entails discussion of the role of work and
                   schooling for children in the generation of how people go about the processes
                   of performing elective belonging. It also requires consideration of the way in
                   which people use the media and how they imagine that they are cosmopolitan
                   or local. 1


                   Globalizing
                   Globalization processes have a number of different dimensions. First, it is
                   important to recognize that ‘the precise form and nature of global connections
                   depends strongly on the precise field of practice that is being studied’ (Savage
                   et al. 2005: 207). Thus, mediated forms of practice like music and cinema had
                   more spatial extension than residence. Global connections are uneven, but
                   need to be traced in their specific patterns. Second, it should be restated that
                   residential space is ‘a key arena in which respondents define their social pos-
                   ition’ (p. 207). More specifically it can be argued that:
                        The sorting processes by which people chose to live in certain places and
                        others leave is at the heart of contemporary battles over social distinc-
                        tion. Rather than seeing wider social identities as arising out of the field
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