Page 17 - Cultural Theory and Popular Culture an Introduction
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                      1 What is popular



                             culture?











                      Before  we  consider  in  detail  the  different  ways  in  which  popular  culture  has  been
                      defined and analysed, I want to outline some of the general features of the debate that
                      the  study  of  popular  culture  has  generated.  It  is  not  my  intention  to  pre-empt  the
                      specific findings and arguments that will be presented in the following chapters. Here
                      I simply wish to map out the general conceptual landscape of popular culture. This is,
                      in many ways, a daunting task. As Tony Bennett (1980) points out, ‘as it stands, the
                      concept of popular culture is virtually useless, a melting pot of confused and contra-
                      dictory meanings capable of misdirecting inquiry up any number of theoretical blind
                      alleys’ (18). Part of the difficulty stems from the implied otherness that is always absent/
                      present when we use the term ‘popular culture’. As we shall see in the chapters which
                      follow, popular culture is always defined, implicitly or explicitly, in contrast to other
                      conceptual categories: folk culture, mass culture, dominant culture, working-class cul-
                      ture, etc. A full definition must always take this into account. Moreover, as we shall also
                      see, whichever conceptual category is deployed as popular culture’s absent other, it will
                      always powerfully affect the connotations brought into play when we use the term
                      ‘popular culture’.
                        Therefore, to study popular culture we must first confront the difficulty posed by the
                      term itself. That is, ‘depending on how it is used, quite different areas of inquiry and
                      forms of theoretical definition and analytical focus are suggested’ (20). The main argu-
                      ment that I suspect readers will take from this book is that popular culture is in effect
                      an empty conceptual category, one that can be filled in a wide variety of often conflict-
                      ing ways, depending on the context of use.





                        Culture


                      In order to define popular culture we first need to define the term ‘culture’. Raymond
                      Williams (1983) calls culture ‘one of the two or three most complicated words in the
                      English language’ (87). Williams suggests three broad definitions. First, culture can be
                      used to refer to ‘a general process of intellectual, spiritual and aesthetic development’
                      (90). We could, for example, speak about the cultural development of Western Europe
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