Page 276 - Cultural Theory and Popular Culture an Introduction
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                260   Index

                      make-over and talk shows, 133        McNamara, Robert, 177–8
                      Making of the English Working Class. EP  McRobbie, Angela, 82, 181, 186, 233
                           Thompson, 49–51                 meanings, 74, 86–7, 126–7, 136, 217
                      Maltby, Richard, 9                   media ownership, concentration of, 210
                      Mandel, Ernest, 191                  Michaud, Gene, 175
                      Marcuse, Herbert, 63, 64, 65, 195    milk bars, 42–3
                      Marley, Bob, 85                      Mills, Sara, 77
                      Marshment, Margaret, 137             mirror stage, psychoanalysis and, 101–2,
                      Marx, Karl and Marxisms, 3, 50–1, 59–89,  105–6
                           107, 140, 149, 190–7, 229, 232–4   modernism, 182–5, 190, 191, 194, 197–8,
                          see also post-Marxism and cultural studies   203
                      masculinities, 87, 141, 143–5, 159–60  Modleski, Tania, 140
                      mass culture, 21–2                   Morley, David, 11
                        aesthetic-liberal position, 28     morphemes, 114–15
                        America, in, 28–33, 52             Mouffe, Chantal, 11, 83–4, 86, 196–7
                        art, 54                            Mulvey, Laura, 104–7, 136–7
                        capitalism, 65, 234                Murdock, Graham, 227
                        class, 33                          music see also pop music
                        commodities, 234                     advertisements, 65, 66
                        conformity, 62, 64                   classical music, 55–6, 65, 66
                        consumption, 234–5                   folk songs, 40
                        corporate-liberal position, 28       jazz, 55–6
                        definition of popular culture, 6, 8–9, 12  opera and classical music, 65, 66
                        dumbing down, elitism and, 234     music hall, 53, 61
                        films, radio and magazines, 62      mythemes, 114–15
                        folk culture, 30–1                 Mythologies. Roland Barthes, 118–25
                        Frankfurt School, 62–5, 68–70      myths, 118–25
                        high culture, 30–1                   American Dream, 117
                        homogeneity, 62                      American westerns, 115–16
                        ideology, 149–53, 234–5              binary oppositions, 115–16
                        impoverishment, 31                   grammar, 114–15
                        intellectuals, 28, 33                narrative structure, 115–16
                        Leavisism, 24, 27                    similarity and difference, 115–16
                        pleasure and politics, 234           structuralism, 114–16
                        politics of the popular, 234–5
                        postmodernism, 196–7               naïve gaze and pure gaze, 219–20
                        production, 6, 8–9, 12, 234–5      narcissism, 105–6
                        radical or socialist position, 28  narrative and spectacle, moments of, 106
                        reproduction, 68–9                 Nixon, Richard, 176–7
                        romantic fiction, reading, 140      Nixon, Sean, 159
                        Soviet Union, 29–30                nostalgia, 38, 192–3
                        superior or refined culture, mediocre  Nowell-Smith, Geoffrey, 14
                           culture and brutal culture, 32–3
                        work and leisure under capitalism, 65  O’Connor, Alan, 44
                        working class, 38–42               Oedipus complex, 92–3, 97, 103–4, 141–2,
                      Matisse, Henri, 65                        143
                      McGuigan, Jim, 213–16, 226–7         opera, 65, 66
                      McLellan, Gregor, 50                 organic communities, loss of, 8, 26–7









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