Page 277 - Cultural Theory and Popular Culture an Introduction
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Index 261
Orientalism, 171–8 commodities, 228–32
other/otherness, 1, 13–14, 33–5 consumption, 214–16, 221–3, 228–32
ownership of media, concentration of, 210 cultural field, 216–26
dominant and dominates, 219–20
panoptic machine, 131–3 economic field, 213–15, 226–32
Paris Match (magazine), 119–22 education, 220–3
Paris, Texas (film), 104 fan cultures, 223–6
Parker, Ian, 107 financial economy, 216–18
parody, 192 hegemony, 214, 216, 227–9, 232–4
passive listening, promotion of, 67 high culture, education and, 220
pastiche, 192–4, 198 influence of culture industries, 232
patriarchy, 135, 139–40, 144, 145, 153, interpretation, 216
160 judgement, absolutist criteria of, 214–15
Pavarotti, Luciano, 6–7, 203 mass culture, ideology of, 234–5
Perryman, Neil, 210–11 museum art, 219
phonemes, 114–15 naïve gaze and pure gaze, 219–20
photographs, text accompanying, 122–3 new revisionism, 216
Pieterse, Jan Nederveen, 207–8 paradigm crisis in cultural studies,
Platoon (film), 173, 174–6, 178 213–16
pleasure poaching 222, 225
audience as producer of pleasures, 217 political economy of culture, 213–15,
Dallas (television), watching, 147–9, 226–32
150–3 post-Marxism cultural studies, 232–4
destruction of pleasure, 105, 106–7 postmodernism, uncertainties of, 214
feminist psychoanalysis, 105, 106–7 power, 220, 232
Freudian psychoanalysis, 93 production, 221–2, 224–5, 231
ideological function of pleasure, 146 semiotic and social resistance to power,
mass culture, ideology of, 234 217–18
politics, 234 taste, 219, 220
romantic fiction, reading, 146 texts and practices, access to, 227
scopophilia (pleasure of looking), 105–7 textual determinism, 222–4
pluralism of value, 201–3 youth subcultures, 225–6
poaching, 222, 225 pop art, 183–4
Polan, Dana, 152–3 pop music, 54–7
politics see also politics of the popular advertisements, 12, 65, 66
Althusserianism, 70 American counterculture, 85–6
definition of popular culture, 10–11 authenticity, 67
economy, 213–15, 226–33 capitalism, 85–6
hegemony, 232–3 classical music, 55–6
mass culture, ideology of, 234 consumption, 68
pleasure, 234 Frankfurt School, 65–8
psychoanalysis, 105 gay consumption of disco, 68
politics of the popular, 213–36 hip hop, 205–6
aesthetics, 219–21 jazz, 55–6
audience, 217, 223–6 modernism, 197–8
capitalism, 216, 228–32 passive listening, promotion of, 67
certainties, 214–15 pop art, 184
class, 218–19, 231 post-Marxist cultural studies, 85–6
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