Page 277 - Cultural Theory and Popular Culture an Introduction
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                                                                                         Index  261

                      Orientalism, 171–8                    commodities, 228–32
                      other/otherness, 1, 13–14, 33–5       consumption, 214–16, 221–3, 228–32
                      ownership of media, concentration of, 210  cultural field, 216–26
                                                            dominant and dominates, 219–20
                      panoptic machine, 131–3               economic field, 213–15, 226–32
                      Paris Match (magazine), 119–22        education, 220–3
                      Paris, Texas (film), 104               fan cultures, 223–6
                      Parker, Ian, 107                      financial economy, 216–18
                      parody, 192                           hegemony, 214, 216, 227–9, 232–4
                      passive listening, promotion of, 67   high culture, education and, 220
                      pastiche, 192–4, 198                  influence of culture industries, 232
                      patriarchy, 135, 139–40, 144, 145, 153,   interpretation, 216
                           160                              judgement, absolutist criteria of, 214–15
                      Pavarotti, Luciano, 6–7, 203          mass culture, ideology of, 234–5
                      Perryman, Neil, 210–11                museum art, 219
                      phonemes, 114–15                      naïve gaze and pure gaze, 219–20
                      photographs, text accompanying, 122–3  new revisionism, 216
                      Pieterse, Jan Nederveen, 207–8        paradigm crisis in cultural studies,
                      Platoon (film), 173, 174–6, 178            213–16
                      pleasure                              poaching 222, 225
                        audience as producer of pleasures, 217  political economy of culture, 213–15,
                        Dallas (television), watching, 147–9,   226–32
                           150–3                            post-Marxism cultural studies, 232–4
                        destruction of pleasure, 105, 106–7  postmodernism, uncertainties of, 214
                        feminist psychoanalysis, 105, 106–7  power, 220, 232
                        Freudian psychoanalysis, 93         production, 221–2, 224–5, 231
                        ideological function of pleasure, 146  semiotic and social resistance to power,
                        mass culture, ideology of, 234          217–18
                        politics, 234                       taste, 219, 220
                        romantic fiction, reading, 146       texts and practices, access to, 227
                        scopophilia (pleasure of looking), 105–7  textual determinism, 222–4
                      pluralism of value, 201–3             youth subcultures, 225–6
                      poaching, 222, 225                   pop art, 183–4
                      Polan, Dana, 152–3                   pop music, 54–7
                      politics see also politics of the popular  advertisements, 12, 65, 66
                        Althusserianism, 70                 American counterculture, 85–6
                        definition of popular culture, 10–11  authenticity, 67
                        economy, 213–15, 226–33             capitalism, 85–6
                        hegemony, 232–3                     classical music, 55–6
                        mass culture, ideology of, 234      consumption, 68
                        pleasure, 234                       Frankfurt School, 65–8
                        psychoanalysis, 105                 gay consumption of disco, 68
                      politics of the popular, 213–36       hip hop, 205–6
                        aesthetics, 219–21                  jazz, 55–6
                        audience, 217, 223–6                modernism, 197–8
                        capitalism, 216, 228–32             passive listening, promotion of, 67
                        certainties, 214–15                 pop art, 184
                        class, 218–19, 231                  post-Marxist cultural studies, 85–6









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