Page 278 - Cultural Theory and Popular Culture an Introduction
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262 Index
pop music (continued) historical change, 191–2
postmodernism, 184, 197–8, 205–6 hyperrealism, 187–91
profits, lack of, 68 inclusion and exclusion, 34
pseudo-individualization, 67–8 intellectuals, 186
Rastafarian reggae music 85 knowledge, status of, 185–6
sampling, 197 locals and dominant culture, 206–8
social cement, as, 67, 68 Marxism or neo-Marxism, 191–7
standardisation, 65–8 mass culture, 196–7
teenagers, 54–5 media,
value and evaluation, problems of 54–6 consumers, 210
working class culture, 41–2 convergence culture, 210–11
Popular Arts. Stuart Hall and Paddy Whannel, ownership, concentration of, 210
51–6 public and, relationship between, 189
popular of popular culture, 6 metanarratives, 185, 190
populism, 151–2 modernism, 182–5, 190, 191, 194, 197–8,
Porter, Cole, 53 203
post-Marxism and cultural studies, 82–8, monolithic, assumption that American
232–4 culture is, 207–8
postmodernism, 181–212 new modernism, 185
1960s, in the, 182–4 nostalgia, 190, 192, 197
affirmative culture, 195–6 parody, 192
American counterculture, 184 passive consumption, 205
Americanisation of culture, 204–8 pastiche, as culture of, 192–4, 198
articulation, 84–5 pluralism of value, 201–3
British underground scene, 184 police cars, simulations of, 187–8
capitalism, 191, 194, 195–6, 204–5 politics of the popular, 214
certainty, collapse of, 190, 192–3, 214 pop art, 183–4
class, 202–3 pop music, 184, 197–8, 205–6
convergence culture, 210–11 power, 201
cultural diversity, 185 production, 194, 201, 205
definition, 12 real and imaginary, 187–90
dominant and subordinate groups, real art, working classes and, 183–4
202–3 realism, 191, 193
economic development, 186 repetition, 191
economic success and cultural imposition, representations, 190–1
204–5 reproduction, 187
elitism, revolt against, 183 sampling, 197
European avant-garde, 184 schizophrenia, 193
family history research, 209 science, knowledge and, 185
films, 192–4, 208–9 selective tradition, 201–2
foreign, concept of the, 205–7 simulacrum, as culture of the, 187
Frankfurt School, 194–5 simulation, 187–90
global postmodernism, 203–9 standards, end of, 203
hegemony, 209, 233 taste, 202–3
high culture and popular culture, technological change, 210
definition of popular culture, 6 television, 187–9, 198–201
merging of, 183–4, 194–5, 203 truth, 191
hip hop, 205–6 women’s magazines, reading, 156
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