Page 278 - Cultural Theory and Popular Culture an Introduction
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                262   Index

                      pop music (continued)                  historical change, 191–2
                        postmodernism, 184, 197–8, 205–6     hyperrealism, 187–91
                        profits, lack of, 68                  inclusion and exclusion, 34
                        pseudo-individualization, 67–8       intellectuals, 186
                        Rastafarian reggae music 85          knowledge, status of, 185–6
                        sampling, 197                        locals and dominant culture, 206–8
                        social cement, as, 67, 68            Marxism or neo-Marxism, 191–7
                        standardisation, 65–8                mass culture, 196–7
                        teenagers, 54–5                      media,
                        value and evaluation, problems of 54–6  consumers, 210
                        working class culture, 41–2           convergence culture, 210–11
                      Popular Arts. Stuart Hall and Paddy Whannel,  ownership, concentration of, 210
                           51–6                               public and, relationship between, 189
                      popular of popular culture, 6          metanarratives, 185, 190
                      populism, 151–2                        modernism, 182–5, 190, 191, 194, 197–8,
                      Porter, Cole, 53                          203
                      post-Marxism and cultural studies, 82–8,  monolithic, assumption that American
                           232–4                                culture is, 207–8
                      postmodernism, 181–212                 new modernism, 185
                        1960s, in the, 182–4                 nostalgia, 190, 192, 197
                        affirmative culture, 195–6            parody, 192
                        American counterculture, 184         passive consumption, 205
                        Americanisation of culture, 204–8    pastiche, as culture of, 192–4, 198
                        articulation, 84–5                   pluralism of value, 201–3
                        British underground scene, 184       police cars, simulations of, 187–8
                        capitalism, 191, 194, 195–6, 204–5   politics of the popular, 214
                        certainty, collapse of, 190, 192–3, 214  pop art, 183–4
                        class, 202–3                         pop music, 184, 197–8, 205–6
                        convergence culture, 210–11          power, 201
                        cultural diversity, 185              production, 194, 201, 205
                        definition, 12                        real and imaginary, 187–90
                        dominant and subordinate groups,     real art, working classes and, 183–4
                           202–3                             realism, 191, 193
                        economic development, 186            repetition, 191
                        economic success and cultural imposition,  representations, 190–1
                           204–5                             reproduction, 187
                        elitism, revolt against, 183         sampling, 197
                        European avant-garde, 184            schizophrenia, 193
                        family history research, 209         science, knowledge and, 185
                        films, 192–4, 208–9                   selective tradition, 201–2
                        foreign, concept of the, 205–7       simulacrum, as culture of the, 187
                        Frankfurt School, 194–5              simulation, 187–90
                        global postmodernism, 203–9          standards, end of, 203
                        hegemony, 209, 233                   taste, 202–3
                        high culture and popular culture,    technological change, 210
                          definition of popular culture, 6    television, 187–9, 198–201
                          merging of, 183–4, 194–5, 203      truth, 191
                        hip hop, 205–6                       women’s magazines, reading, 156









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