Page 281 - Cultural Theory and Popular Culture an Introduction
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                                                                                         Index  265

                      superior or refined culture, 32–3     Thiknesse, Philip, 169–7
                      surveillance, 131–3                  Thomson, Denys, 23–6
                      survival manuals, women’s magazines as, 153  Thompson, EP, 17, 37, 49–51, 56, 61
                      symbols, 95–6, 101–4                 Tomlinson, John, 205
                                                           Tong, Rosemary, 135
                      Talking Heads (group), 197           triumphs over tragedies, 155
                      Tarantino, Quentin, 193–4            truth, 76, 87, 130, 176, 191
                      Tarzan, 173                          Tumin, Melvin, 33
                      taste                                Turner, Graeme, 2
                        class, 219                         Twin Peaks (television), 198–200
                        definition of popular culture, 6    ‘two nations’, 18
                        politics of the popular, 219, 220
                        postmodernism, 202–3               Uncommon Valor (film), 174
                      Taxi Driver (film) 73                 unconscious, 91–2, 94–5
                      technological change, 210            underground scene in Britain, 184
                      television see also Dallas (television), watching  urbanization, 12–13, 17–18, 21, 26–7, 53–4,
                        advertising, songs in, 12               65
                        articulation, strategies of, 200–1  Uses of Literacy. Richard Hoggart, 37, 38–44
                        Big Brother, 132–3
                        bricolage, 198–9                   value and evaluation, 51–6, 201–3
                        Coronation Street, 188–9           Verne, Jules, 76–7
                        Doctor Who, 210–11, 224–5          Vietnam war, representations of, 172–8
                        fan cultures, rewriting of shows by, 224–5  Americanization of war, 174–7
                        Hill Street Blues (television), 217  anti-war movement, 176
                        hyperrealism, 187–9                 betrayal, war as, 173
                        LA Law (television), 188            consumption, 176, 178
                        make-over and talk shows, 133       feminization of loss, 174
                        music, 12                           films, 173–6, 178
                        oscillation, 199–200                Gulf War 1991, 176–7
                        postmodernism, 198–201              inverted firepower syndrome, 174
                        surveillance, 133                   representations, 172–7
                        textual and economic analysis, 199  truth, 176
                        Twin Peaks, 198–200                violence, fear of male, 143–4, 145
                      telling and showing, difference between, 75  Viva (magazine), 147
                      texts                                Volosinov, Valentin, 84–5
                        access, 227
                        analysis, 97–101                   Walby, Sylvia, 135
                        decentred, literary text as, 74–5  Warhol, Andy, 183–4
                        determinism, 222–4                 Warner Bros, 232
                        Frankfurt School, 68–9             Warner, Michael, 163
                        Freudian psychoanalysis, 97–101    Watergate, 190–1
                        politics of the popular, 222–4, 227  West, Cornel, 197–8
                        postmodernism, 199                 Whannel, Paddy, 37, 51–6
                        practices,                         White, Charles, 169
                         culture of, 68–9                  White, David Manning, 29, 30
                         underlying relations of, 113–14   Williams, Raymond, 1–2, 5, 11, 12–13, 27,
                        structuralism, 113–14                   37, 44–8, 56, 57, 86, 183, 191–2, 201,
                        unconsciousness of text, 75–7           218









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