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294 NOTES TO PAGES 15–16

                 ‘Literature and society’, and the related ‘Sociology and literature’ are both in The
                 Common Pursuit (Chatto and Windus 1952).
               3 Introduction to Frye, The Sociology of Literature and Drama.
               4 Perry Anderson,  ‘Components of a national culture’, in  A.Cockburn and
                 R.Blackburn (eds.), Student Power (Penguin 1969).
               5 Culture and Society and The Long Revolution, but also Modern Tragedy and The
                 English Novel.
               6 Hoggart’s work, which  is often (correctly) also identified as originating here,
                 moves in a different direction: it extends the methods of ‘close reading’ of texts in
                 the direction of ‘reading  a culture’,  and especially  popular and  working-class
                 culture, where the ‘texts’ are, characteristically, not literary in the traditional sense.
               7 All the formulations quoted in this paragraph  are from  The Long  Revolution
                 (Chatto and Windus 1961).
               8 The formulations in this paragraph are all from ‘From Leavis to Goldmann’, New Left
                 Review, vol. 67  (May/June 1971): reprinted as the  Introduction  to Goldman’s
                 Racine (River Press 1972).
               9 ‘In studying such transformations it is always necessary to distinguish between the
                 material transformation of the economic conditions of production, which can be
                 determined with the precision of natural science, and the legal, political, religious,
                 artistic  or philosophic—in short,  ideological—forms  in which men become
                 conscious of this conflict and fight it out’ (Marx, the Preface to A Contribution to
                 the  Critique of Political Economy, in  K.Marx and F.Engels,  Selected Works
                 (Lawrence and Wishart 1968).
              10 The problem with the base/superstructure model has always been how far the base
                 actually determines the form of the superstructure. Engels (and now Althusser)
                 insists  that to postulate any  too direct  a  determination by  the base would be to
                 oversimplify but that in the end (the last instance) it is the determining element.
                 However, how one can conceive the last instance (or, in Althusser’s sense, whether
                 one  can ever consider the base in isolation from  everything else in  a social
                 formation) remains a problem. Adrian Mellor’s paper on Goldmann in WPCS 4
                 (1973) contains a discussion of this question. See also Engels’s letter to J.Bloch, in
                 Marx and Engels, Selected Works (Moscow 1951), p. 443, and Althusser, For Marx
                 (Allen Lane 1969).
              11 See Althusser’s  tantalizingly  brief essay, ‘The “Piccolo Teatro”’, in  For Marx
                 (Allen Lane 1969); two brief essays in the Appendix to Lenin and Philosophy and
                 Other Essays (New Left Books 1971); also Pierre Macherey, Pour une théorie de
                 la Production Littéraire (Paris: Maspero 1970).
              12 Especially the essays in For Marx.
              13 Althusser, ‘On the materialist dialectic’, in For Marx.

                                       Chapter 19
                     Recent developments in English Studies at the Centre

               1 Raymond Williams, ‘Base and  superstructure’,  in  New Left Review, no. 82
                 (November/December 1973).
               2 Marxism and Literature (Oxford University Press 1977).
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