Page 300 - Culture Media Language Working Papers in Cultural Studies

NOTES TO PAGES 17–22 289

2 See the Editorial Statement and the ‘Presentation’ of ‘The imaginary signifier’ in
Screen, ibid.
Chapter 13
Texts, readers, subjects

1 Steve Neale, ‘Propaganda’, in Screen, vol. 18, no. 3 (Autumn 1977).
2 M.Pêcheux, Analyse Automatique du Discours (Paris: Dunod 1969) and Les Vérités
de la Palice (Paris: Maspero 1975). Cf. Roger Woods, ‘Discourse analysis: the
work of Marcel Pêcheux’, in Ideology and Consciousness, no. 2 (Autumn 1977).
3 L.Althusser, ‘Ideology and Ideological State Apparatuses’, in Lenin and
Philosophy and Other Essays (New Left Books 1971).
4 Ernesto Laclau, Politics and Ideology in Marxist Theory (New Left Books 1977).
5 Frank Parkin, Class Inequality and Political Order (Macgibbon and Kee 1971).
6 See, for example, Colin McCabe, ‘Realism and the cinema’, in Screen, vol. 15, no.
2 (Summer 1974), and ‘Realism and pleasure’, in Screen, vol. 17, no. 3 (Autumn
1976).
7 For critiques or variants of the dominant Screen position on ‘realism’ see, inter alia,
Christine Gledhill, ‘Whose choice?’, in Screen Education, vol. 24 (Autumn 1977);
Tony Stevens, ‘Reading the realist film’, in Screen Education, vol. 26 (Spring
1978); and Dick Hebdige and Geoff Hurd, ‘Reading and realism’, in Screen
Education, vol. 28 (Autumn 1978).
8 V.N.Vološinov, Marxism and the Philosophy of Language (New York: The
Seminar Press 1973).
9 ibid., p. 23.
10 Neale, ‘Propaganda’.
11 ibid., p. 34.
12 ibid., p. 18.
13 Paul Willemen, ‘Subjectivity under siege’, in Screen, vol. 19, no. 1 (Spring 1978),
p. 48.
14 P.Hardy, C.Johnston and P.Willemen, in papers from the Edinburgh Television
Event, Edinburgh 1976 (British Film Institute 1976).
15 Christine Gledhill, ‘Recent developments in film criticism’, in Quarterly Review of
Film Studies, vol. 3, no. 4 (Fall 1978).
16 Claire Johnston, ‘The subject of feminist film: theory/practice’, in Edinburgh
Television Papers (1979).
17 Hardy, Johnston, Willemen, in Edinburgh 1976.
18 Willemen, ‘Subjectivity under siege’, pp. 63–4.
19 Geoffrey Nowell-Smith, ‘Editorial’, in Screen, vol. 18, no. 3 (Autumn 1977).
20 ibid., p. 5.
21 Gledhill, ‘Recent developments in film criticism’, p. 19.
22 Neale, ‘Propaganda’, pp. 39–40.
23 Willemen, ‘Subjectivity under siege’, pp. 66–7.
24 Basil Bernstein, Class, Codes and Control (Paladin 1973); Pierre Bourdieu and
J.C.Passerson, Reproduction (Sage 1977); C.Baudelot and R.Establet, L’ecole
Capitaliste en France (Paris: Maspero 1971). For an elaboration of this connection,