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288 NOTES TO PAGES 15–16

               3 G.Gerbner  et al., Violence in TV Drama: A Study of  Trends  and Symbolic
                 Functions (The Annenberg School, University of Pennsylvania 1970).
               4Charles Peirce,  Speculative Grammar, in  Collected Papers (Cambridge, Mass.:
                 Harvard University Press 1931–58).
               5 Umberto Eco, ‘Articulations of the cinematic code’, in Cinemantics, no. 1.
               6 See  the argument in  S.Hall, ‘Determinations of  news photographs’, in  WPCS 3
                 (1972).
               7 Vološinov, Marxism And The Philosophy of Language (The Seminar Press 1973).
               8 For a similar clarification, see Marina Camargo Heck, ‘Ideological dimensions of
                 media messages’, pages 122–7 above.
               9 Roland Barthes, ‘Rhetoric of the image’, in WPCS 1 (1971).
              10 Roland Barthes, Elements of Semiology (Cape 1967).
              11 For  an extended  critique of ‘preferred reading’,  see Alan O’Shea, ‘Preferred
                 reading’ (unpublished paper, CCCS, University of Birmingham).
              12 P.Terni, ‘Memorandum’, Council of  Europe Colloquy  on ‘Understanding
                 Television’ (University of Leicester 1973).
              13 The phrase  is Habermas’s,  in ‘Systematically distorted communications’, in
                 P.Dretzel (ed.),  Recent Sociology  2 (Collier-Macmillan  1970). It is  used  here,
                 however, in a different way.
              14 For a  sociological formulation which is  close, in some  ways, to the positions
                 outlined here  but which  does not parallel the argument about  the  theory of
                 discourse, see Frank Parkin, Class Inequality and Political Order (Macgibbon and
                 Kee 1971).
              15 See  Louis Althusser, ‘Ideology and  ideological state apparatuses’, in  Lenin  and
                 Philosophy and Other Essays (New Left Books 1971).
              16 For an expansion of this argument, see Stuart Hall, ‘The external/internal dialectic
                 in broadcasting’,  4th Symposium on Broadcasting (University of Manchester
                 1972), and ‘Broadcasting  and the state:  the independence/impartiality couplet’,
                 AMCR Symposium, University of Leicester 1976 (CCCS unpublished paper).
                                       Chapter 11
                           Television news and the Social Contract

               1 Stuart Hall, ‘The determinations of news photographs’, WPCS 3 (1972).
              2 Trevor Pateman,  Television and  the February 1974 General Election, BFI
                 Television Monograph no. 3 (British Film Institute 1974).
              3 Pateman, Television and the February 1974 General Election.
              4 It is not possible here to detail the establishment of this paradigm, but the 1960s
                 represent a moment of consolidation and crystallization in this field of
                 broadcasting.
              5 J.Galtung and M.H.Ruge, ‘The structure of foreign news’, in J.Tunstall (ed.),
                 Media Sociology (London 1970).

                                       Chapter 12
             Recent developments in theories of language and ideology: a critical note

               1 Screen, vol. 16, no. 2 (Summer 1975).
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