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78 NOTES ON METHOD

            compact  with  positivism to preserve the  subject finally as  an object.  Indeed,
            what the all-embracing concern for techniques and for the reliability of the data
            really shows us is a belief that the object of the research exists in an external
            world, with knowable external characteristics which must not be disturbed.
              The central  insistence, for instance,  on  the  passivity of the  participant
            observer depends on a belief that the subject of the research is really an object.
            The concern is to minimize ‘distortion of the field’, with the underlying fear that
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            the object may be contaminated with the subjectivity of the researcher.  Too
            easily it becomes an assumption of different orders of reality between the
            researched and the researcher.
              The insistent, almost neurotic, technical concern with the differentiation of PO
            from reportage and Art is also a reflection of the subterranean conviction that PO
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            belongs with the ‘sciences’ and must, in the end, respect objectivity.  There is a
            clear  sociological fear of naked subjectivity.  The novel can wallow in
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            subjectivity —this is how it creates ‘colour’ and ‘atmosphere’—but how do we
            know that the author did not make it all up? Indeed, in one obvious way he or she
            did make it all up! So the search must be for a unified object which might be
            expected to present itself as the same to many minds. The first principle of PO,
            the postponement of theory, compounds the dangers of this covert positivism. It
            strengthens the notion that the object can present itself directly to the observer.


                                   On the role of theory
            In fact, there is no truly untheoretical way in which to  ‘see’ an  ‘object’. The
            ‘object’ is only perceived and understood through an internal organization of
            data, mediated by conceptual constructs and ways of seeing the world. The final
            account of an object says as much about the observer as it does about the object
            itself. Accounts can be read  ‘backwards’  to uncover and explicate the
            consciousness, culture and theoretical organization of the observer.
              However, we must recognize the ambition of the PO principle in relation to
            theory. It has directed  its followers towards a  profoundly important
            methodological possibility—that of  being ‘surprised’,  of reaching knowledge
            not prefigured  in one’s starting paradigm. The urgent task  is to chart  the
            feasibility, scope and proper meaning of such a capacity.
              If we are to recognize the actual scope for the production of ‘new’ knowledge,
            we must avoid delusions. We must not be too ambitious. It is vital that we admit
            the most basic foundations of our research approach and accept that no
            ‘discovery’ will overthrow this most basic orientation. The theoretical
            organization of the starting-out position should be outlined and acknowledged in
            any piece of research. This inevitable organization concerns attitudes towards the
            social world in which the research takes place, a particular view of the social
            relationships within it and of its fundamental determinations and a notion of the
            analytic procedures which will be used to produce the final account. It would
            also explain why certain topics have been chosen for research in the first place.
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