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                                   SIX Network Society Theory








                     The analysis of globalization as a ‘space of flows’ is developed more fully
                                                  1
                     in the work of Manuel Castells. In an eclectic and wide-ranging analy-
                     sis, Castells’ work contains the most comprehensive assertions on the
                     effect of the then new information technology on the entire character of
                     world society. Published at the height of the dot.com boom, we are here
                     confronted with a kind of dot.sociology in which the technological
                     changes in the production process are presented as ushering in an
                     entirely new historical era with a new social formation – the ‘informa-
                     tional’ society. While similar to many of the ideas presented in the work
                     of Lash and Urry as discussed above, the work of Castells actually pro-
                     ceeds from an altogether different inspiration and therefore has to be
                     treated separately.
                        Lash and Urry’s work, like that of Giddens, is a relatively sober
                     Anglo-Saxon exercise in rational analysis – evaluating social ‘risk’ and the
                     crisis of the bourgeois individual – while eschewing communitarianism
                     and its accompanying identity politics. But Castells’ entire point of depar-
                     ture is precisely a lament for the loss of community – Catalonia, Chiapas,
                     the local or national community, ‘place’, ‘culture’, ‘nation’ – and a search
                     for its restoration by means of modern communications technology and
                     the ‘network enterprise’. Unlike both Giddens and Lash and Urry, Castells
                     is a champion of identity politics. The issues covered are similar, but
                     Castells’ analysis both departs from and arrives at a wholly different place.
                     In this sense, Castells’ work is much closer in spirit and inspiration to the
                     mysticism of Heidegger which Lash and Urry rightly rejected.
                        Here is a classic example of Castells’ romantic ‘identitarianism’ and
                     colorful language which recur frequently throughout the text in the three
                     volumes. He is discussing what he regards as tendencies to the postmod-
                     ern in contemporary European architecture – its reliance on ‘the space of
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