Page 28 - Decoding Culture
P. 28

THE WAY WE WERE  21

          differentiation. What different forms of culture were to be found
          in industrial societies? What had been the impact of twentieth-cen­
          tury  media  of mass communication on those  forms?  How were
          different forms of culture related to each other? Were they strati­
          fied?  Was  culture  in  decline?  Was  the  pervasive  distinction
          between high  and  low culture meaningful and appropriate? In
          responding to these and related questions in the late 1950s and
          early 1960s, scholars from a variety of disciplinary backgrounds
          found themselves addressing similar issues but  armed with dif­
          ferent  concepts  and  methods.  They  were  the  inheritors  of  a
          tradition that presupposed the value of 'high' culture and was var­
          iously concerned about its fate in twentieth-century society, but
          they were critical inheritors. The break with tradition that they
          made, the break that constituted the grounds from which cultural
          studies developed, crucially centred on rethinking the categories
          in which culture had hitherto been understood.
            This process took place  in  a  number  of  different intellectual
          contexts, two of which are the particular concern of this chapter. I
          shall  begin  with  the  mass  society  and  media  effects orthodoxy
          since that body of, on the one hand, speculative theorizing and, on
          the other, detailed empirical research, was crucial in much post­
          war criticism of twentieth-century culture. It was also the central
          locus for sociological thinking on this topic (other than in the then
          rather restricted sociologies of literature and art)  and dissatisfac­
          tion with  its  conceptual and  methodological  limitations  played a
          significant part in the early development of cultural studies. Then
          I shall attend to aspects of the more literary 'culture and civiliza­
          tion' tradition, first as it was mediated by Leavisite thinking in the
          1930s and 1940s and then in relation to its influence upon Williams,
          Hoggart and others in their emerging concern with 'ordinary' cul­
          ture. Finally, I shall try to suggest how these 'seed-bed' traditions
          provided fertile ground for the growth of cultural studies.





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