Page 72 - Decoding Culture
P. 72

ENTER STRUCTURAUSM  65

          are,  of course,  coded by the  langue: we  cannot  simply choose
          which units to use and in what order, at least not if we wish to be
          understood  by those who share  our culture with  us.  But,  again,
          there are considerable degrees of freedom here. and although the
          first task of a  structuralist account may  be to  identify the  units
          from which a text is composed and thence the codes which govern
          their arrangement - the goal of synchronic analysis - in application
          to  complex cultural forms,  structuralist concepts  do  not  exclude
          change over time (the diachronic dimension) , differential applica­
          tion of codes in different contexts, and different levels of coding.
             All of which is no more than to say that the Saussurian inheri­
          tance  is  not  entirely  unambiguous  in  the  balance  it  proposes
          between the constraints of structure and the inventive capacities of
          agency.  Its  main  thrust is clear enough,  to  be  sure.  and  is con­
          veyed  by  Saussure's  stress  on  the  paramount  importance  of
          synchronically comprehending langue.  Given this emphasis,  the
          major task of a structuralist analysis in cultural studies would have
          to be that of modelling the workings of all the various language sys­
          tems which  intersect  in forming cultural  artefacts.  In  effect,  to
          extend and develop the project that Saussure sketched for semiol­
          ogy.  To do that  requires  above  all  the  development of theory:
          identifying the basic units of semiotic systems and building models
          which embody the codes governing their operation. Such model
          building, note, differs epistemologically both from the conventional
          empiricist view of scientific theory, with its atomistic emphasis on
          hypothesis testing, and from the looser sense of 'theory' found in
          more literary traditions, where it has tended to suggest a concern
          to explore basic 'philosophical' assumptions. Structuralist theory,
          at least as it is implied in Saussure's thinking, fundamentally seeks
          to  model  the  relational  structures  that enable  agents  to  involve
          themselves  in  processes  of communication.  Its  success  is mea­
          sured  not  by  experimental  test or by  moral  insight,  but by the





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