Page 122 - Living Room WarsDesprately Seeking the Audience Rethinking Media Audiences for a Postmodern World
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Desperately seeking the audience     110
              Dynasty were at the top of their popularity], but wants  to  serve  as
              counterpoise by putting other gripping, exciting and surprising elements
              of Dutch culture on the screen. For ordinary people. No artistic
              expressions that only few can understand. By reproletarization we  thus
              mean the effecting of a lower and narrower level of interest by a one-sided
              supply of programming.
                                                              (VARA 1983b)

        Discursively speaking, then,  the ‘ordinary people’  are  a  deus ex machina, a handy
        rhetorical device that enables VARA to renew its waning bond with a  ‘natural
        constituency’ by reconciling the normative and the  pragmatic,  the  reformist  and  the
        entertaining, public mission and market exigencies, paternalist populism and audience
        maximization. The category of ‘ordinary people’ is not just a market segment, it is also
        an imaginary construct of ‘television audience’ with political bearings, reminiscent of,
        although certainly not derived from, Gramsci’s concept of ‘the people’ as those who are
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        excluded from the realm of political and ideological power.
           On  the  basis  of  this  formulation of VARA’s ideal-typical audience, the managers
        developed a totalitarian scheme of qualitative criteria  for  VARA  programming  policy
        which looked like this
                                 accessible
                                 understandable
              Popular—ordinary   ‘close to the people’


                                                                       pedantic
                                                                       cynical
                    —quality:    love for the ordinary man: NOT
                                                                       tiresome

                                 militant making
                                 elevating
                 Left—identity:  emacipatory



                                                 (unsigned internal report, 7 May 1984)
           Such a scheme betrays a desire to totally control the way VARA programmes should
        address and influence the audience; and indeed, the management announced the intention
        to quantify this set of criteria, in order to be able to submit all VARA products and all
        VARA personnel to rigorous evaluative measurement of performance. Panels consisting
        of representatives of the target group (the ‘ordinary people’) were suggested, information
        about audience needs and interests in general were now considered indespensible (VARA
        1983b). Articulated here is a bold managerial attempt to rationalize,  formalize  and
        objectify ad absurdum the relationship between VARA and the ‘ordinary people’. And
        although the plan eventually failed to be implemented, it did pave the way for a change of
        direction in VARA discourse which more forthrightly than before legitimated the
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