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CULTURAL POPULISM

               that choose to differentiate themselves from the group. Furthermore,
               with the complex, shifting terrain of culture and identity, the potential
               terrain of citizenship theory is becoming potentially limitless.
               See also: Multiculturalism

               Further reading: Hartley (1999); Miller (1998)

               CULTURAL POPULISM


               The ascription of democratising tendencies to cultural practices and
               pursuits, including that of acting as audience or reader of popular
               entertainments. The term was made familiar by Jim McGuigan (1992),
               who criticised cultural studies, in the person of John Fiske especially,
               for finding resistive political potential in the act of pleasurable media
               consumption. McGuigan and others disliked the textual turn in
               cultural studies, since it had diverted attention from the economic side
               of popular culture, and from what they could recognise as bona fide
               ‘political activism’ in cultural critique.
                  The idea gained ground, especially in media sociology and political
               economy, that taking the pleasure and textuality of popular culture
               seriously was misguided or even pernicious, because in the end what
               people did with the media they enjoyed was subordinate to the power
               of the corporations who distributed those media (see Ferguson and
               Golding, 1997). People needed not to consume texts pleasurably if
               resistively, but to be warned off altogether, presumably to give them
               time to organise protests (this position was adopted by the Glasgow
               Media Group, for instance). Analysts who were interested in the text/
               reader relationship were berated for populism because they were said
               to be following rather than criticising popular tastes. Thus, opponents
               of cultural populism thought analysts should take a ‘normative’
               position outside of popular culture in order to offer a corrective
               diagnosis of its downside (Douglas Kellner, 2001: 144–145). The idea
               that ordinary punters might not need such protection was rarely aired.
                  There was very little debate about cultural populism, largely because
               it is an accusatory term, a charge, and therefore used only by its
               opponents, rather than a term researchers identified with: you won’t
               get a research grant for proposing to study it. In fact cultural populism
               was by no means merely ‘bad theory’. It was an early, if not always
               coherent, recognition of a fundamental shift away from the high
               modern obsession with production, and a timely prod of the analytical
               agenda towards consumption. This shift has become ever more

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