Page 113 - Key Words in Religion Media and Culture
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                                        Image


                                     David Morgan




                          Moral policing and the power of images
                                   Pictures and children
                                   Visual epistemologies
                            Public opinion and visual persuasion
                       Hyperreality: the continuing menace of images




             The status of images in the history of many religions and in modern media
             is an embattled one and generally for a single reason: images are thought to
             be untrustworthy—they lie, cheat, and steal. Whether in Socrates or in the
             many critiques of images mounted by Jewish, Muslim, or Christian writers,
             by Hindu reformers or by Marxist revolutionaries, suspicions circle around a
             tenacious distrust of images (Latour and Weibel 2002). Images lie inasmuch as
             they selectively tell the truth, exaggerating aspects of it, commonly distorting
             what  they  portray  into  whatever  priests,  tyrants,  or  vendors  want  pliant
             viewers to believe. Images dupe the unsuspecting, lulling them into views or
             opinions that are untrue, cheating viewers of access to truth or power. And
             images steal belief from words, the revealed medium of divine self-revelation
             in the so-called religions of the book. As Socrates might have put it, images
             rob belief in the logical procedure of discourse—the progressive movement
             of intellectual inquiry from opinion to truth, cheating reason of its rightful
             place in ascertaining the truth of a matter.
               Yet  the  distrust  of  images  presumes  something  deeper  about  them.
             Images work their magic by a subtle and often irresistible effect on the body:
             provoking fear, envy, pride, desire, obsession, rage—all the strong feelings
             and passions that grip the chest or rise in the blood, creep over the flesh, well
             up as tears in the eyes. Images appeal to and rely on the body. It is precisely
             this that philosophers, teachers, moralists, clergy, and parents have resented
             about the power of images. Images are understood to traffic in the body’s
             energies and to threaten to overturn the strictures of thought and conscience
             that moral authorities work hard to nurture and inculcate.
               However, images do not wage a psychomachia in and of themselves. In fact,
             they are the visible part of an entire apparatus, which consists of biological
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