Page 30 - Key Words in Religion Media and Culture
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Introduction  13

             aesthetics to understand more about sensation and the senses as forms of
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             cognition.  Accordingly, several of the key words included in the present
             volume signal the growing recognition of the body as the matrix of sensuous
             cognition.  In  addition  to  regrounding  research  in  the  body  and  avoiding
             the traditional humanist privileging of mind and rational thought, many of
             the writers demonstrate keen interest in the history of media, seeking to
             correct the presentist bias in many studies of mass communication and new
             media. 19
               Finally, the mélange of disciplines, geographies, and media supports the
             view that no single discipline has commanded the field of study. Sociology,
             anthropology, and history have contributed major methodological guidelines
             —quantitative  and  qualitative  research,  ethnography,  and  archival  and
             artifactual  study.  However,  media  studies,  cultural  studies,  feminism,
             art history, visual and material culture studies, and religious studies have
             brought a host of additional questions and methodological priorities to bear
             on  the  study  of  religion  and  media,  resulting  in  a  range  of  interests  and
             a conversation that is really a set of conversations, including the study of
             journalism, mass communication, consumption, visual culture, theology, the
             public sphere, globalization, transnationalism, political theory, and cultural
             economy. To date, participants have felt no urgency to limit the discourse or
             dominate it by discipline, field, or methodology. For many of us, this is a sign
             of robust intellectual health.

             Key terms and the conceptual field they configure

             This book seeks to discern the emerging conceptual framework in the recent
             study  of  media  and  religion.  Rather  than  looking  for  fast  boundaries  or
             new foundations in an overlooked or a novel subject matter, the approach
             is to describe an intersection where no discipline dominates but several are
             engaged in serious conversation with one another. The writers are scholars
             from  around  the  world  who  come  to  the  study  from  different  academic
             specialties. Their work over the last decade and more has been influential
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             in shaping the field of media and religion.  One might add many names to
             the  list  and  compile  a  substantial  bibliography.  The  signs  clearly  indicate
             that the field is expanding and deepening: all of which makes one pause
             at  the  audacity  of  selecting  a  mere  fifteen  words  for  a  list  of  key  terms.
             Given the many different emphases in the far-from-unified field of inquiry,
             lists of even a few terms would vary considerably. Rather than trying to be
             comprehensive or universalizing or equitable, it seemed more important to
             look across a large number of inquiries, conferences, and consultations in
             search of patterns that might affirm themes, keyed to concepts and their
             terms,  that  have  played  a  recurrent  and  influential  role  in  the  discourse.
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