Page 31 - Key Words in Religion Media and Culture
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14  Introduction

             Judging  from  the  traffic  that  has  traveled  the  intersection  of  disciplines,
             questions, and studies, the list of key words that comprises the book captures
             much of the energy and focus. The following remarks attempt to sketch out
             the conceptual field by clustering several of the terms into smaller groups.
               Gathered  together  for  critical  definition  here,  I  hope  they  push  the
             discourse  on  media  and  religion  to  recognize  more  formally  the  most
             influential implications of recent work. The terms have been selected to
             represent the emergent network of ideas that have shaped investigation
             over the last three decades. Each of the authors has written within a matrix
             of ideas, artifacts, institutions, and practices that joins them to a larger
             framework.  For  example,  one  of  the  threads  connecting  several  words
             (audiences, circulation, public, community) is the power that media practices
             have demonstrated time and again to create social forms of association.
             So in writing about audiences, Stewart Hoover considers the history of
             the treatment of mass media, the eclipse of traditional religious authority,
             the  importance  of  the  marketplace,  and  the  emerging  prominence  of
             audiences as powerful agents rather than passive consumers. A significant
             consequence of these changes has been that scholars have come to focus on
             the meaning-making activities of media practices. Likewise, in discussing
             circulation, Johanna Sumiala examines ways in which the mass-mediated
             framing of images creates relationships between them and viewers. These
             relations inflect the reception of images, suggesting that scholars train their
             attention on the circulation and reception of media artifacts to learn how
             mediated events take on meaning.
               Reflection  on  the  social,  cultural,  and  political  functions  of  print  and
             broadcast  media  has  been  importantly  concerned  with  the  formation
             of  different  publics,  the  public  sphere,  and  public  opinion.  Joyce  Smith
             examines  the  mediated  construction  of  publics,  asking  how  they  are
             imagined, disseminated, consumed, contradicted. Where and how do media
             publics happen? Riffing on Jürgen Habermas’s enormously influential study
             of the role of eighteenth-century coffee shops in forming the public sphere,
             Smith suggests that mediated publics today arise in the savory taste of coffee
             and the leisurely privacy of wifi connections. All of the analyses described
             so far unfold in dialogue with J. Kwabena Asamoah-Gyadu’s discussion of
             the community-forming effects of media consumption. He shows how this
             applies to face-to-face and urban—but also transnational—communities for
             whom media maintain an extended set of associations as religious groups
             take shape in the global flows of immigrants.
               A second set of terms (text, narrative, technology, economy) responds to
             traditional approaches to the study of media and religion to show how it has
             changed. Thus, texts are not stable entities, drawing from abiding genres
             that provide clear meanings but, as Isabel Hofmeyr shows, are social events,
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