Page 116 - Nightmare Japan Contemporary Japanese Horror Cinema
P. 116

Chapter Four:

                                                         A Murder of Doves:

                                      Youth Violence and the Rites of
                                              Passing in Contemporaray

                                                 Japanese Horror Cinema



                                                       Bloody Doves

                              In  their  invaluable  resource,  Japanese  Cinema  Encyclopedia:  Horror,
                              Fantasy,  and  Science  Fiction  Films,  Thomas Weisser  and  Yuko  Mihara
                              Weisser  use  the  term  ‘dove  style  violence’  to  describe  a  trend  within
                              contemporary Japanese  cinema in which human beings  coldly abuse one
                              another  with  a  detached  cruelty  reminiscent  of  ‘certain  species  of  bird’
                              who, when ‘a flock  member is different or weaker…peck at the weakest
                              bird  dispassionately  until  it’s  dead’  (1997:  21,  emphasis  theirs).  ‘Dove
                              style  violence’,  however,  has  yet  to  receive  the  critical  attention  it
                              deserves, especially in terms of its representation within Japanese cinema
                              in general and Japanese horror cinema in particular. This chapter seeks to
                              address this  critical  oversight  by  focusing  upon,  and  hopefully  initiating
                              future  discussions  regarding  the  bleak,  nihilistic,  and  often  graphically
                              rendered  motif  of ijime  (bullying)  and  ‘dove  style  violence’  in  Japanese
                              horror cinema. Of course, bullying is by no means a specifically Japanese
                              cultural phenomenon,  nor  is  its  visual  representation  limited to  works  of
                              filmic  horror.  Nevertheless,  representations  of  ‘bullying’  and  related
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