Page 100 - Contribution To Phenomenology
P. 100

THE BODY AS    PAN-CULTURAL      UNIVERSAL           93

              reference  to  stone tools—"a  continuous  anterior  cutting  blade"  replaces  a
              slicing  and  grinding  instrument;  in  other  words,  starting  at  the  back  teeth
              as  originally  suggested,  one  readily  observes  that  molars  give  way  to
              incisors.^^
                Now  edges  either  stand  out  in  relief,  as  with  molars  and  core  tools,
              or  they  define  contour,  as  with  incisors  and  flake  tools.  In  either  case,
              however,  whatever  has  an  edge  has  power.  Understandably,  then,  the
              critical  character  of  a  stone  tool  in  the  beginning  was  not  that  it  have  a
              definite,  set  shape  but  that  it  "have  an  edge."  The  beginnings  of  stone
              tool-making  were  in  consequence  not  a  matter  of  flaking  stones  in
              specific  ways;  rather,  early  hominids  took  whatever  edges  resulted  from
              flaking.  A  concern  with  shape  becomes  evident  at  a  later  stage,  namely,
              in  Acheulian  handaxes.  (Acheulian  handaxes  were  general  purpose  tools
              that  were  widely  used  in  Africa,  Southwest  Asia,  and  Europe.)  Where
              edges  are  not  created  as  surface  properties  of  an  object  but a  single  all-
              over  edge  dominates, the  surfaces  of  the  object  are  likely  to  be  perceived
              as  sides,  and  this  because  the  same  edge  that defines  simple  contour ipso
             facto  defines  sides.  Our  hands  are  a  paradigmatic  instance  of  this
              relationship.  In  fact,  where  sides  are  not  accidents of  flaking  but  are
              created  in  their  own  right,  the  stone  has  been  shaped  by  turning  it  over,
              the  knapper  working  the  edge  first  from  what will  ultimately  be  one  face,
              then  what  will  ultimately  be  the  other  face,  then  from  the  first,  and  so
              on.  Rather  than  jagged  edges,  "evenly  trimmed  sides"  result.^^  In  effect,
              a  three-dimensional  act  eventuates  in  a  two-sided  object.  As  with  the
              Acheulian  handaxes,  the  visual  character  of  such  a  tool  is  prominent;
              shape  in  the  form  of  an  all-over  contoured  edge  is  a  strikingly  notable
              feature.  Just  so  with  our  hands  whose  shape  is  perceived  as  an  all-over
              contour  and  whose  sides  are  readily  in  evidence  by  turning  them  over.
              Furthermore,  just  as  the  entire stone  is  a  tool,  so  our  entire  hand  is  a
              tool  as  in  gripping  and  striking.  Analogical  thinking  is  thus  again  clearly
              evident.^^  Acheulian  handaxes  are  conceptually  linked  with  hands  in  the



                 ^^ David  Pilbeam,  The Ascent  of  Man  (New  York:  Macmillan,  1972),  59.
                 ^^  Andre  Leroi-Gourhan,  Prehistoric  Man  (New  York:  Philosophical  Library,
              1957),  66.
                 ^^ There  is  a  single  recent  reference  in  the  literature—by  British  anthropolog-
              ist  K.  P.  Oakley—to  a  correspondence  between  Acheulian  handaxes  and  hominid
              hands.  The  correspondence  was  originally  suggested  by  German  archaeologist  R.  R.
              Schmidt  (See  his  superimposed  drawing  of  a  hand  on  the  outline  of  an  Achuelian
              handaxe  in  his  The Dawn  of  the Human  Mind  [London:  Sidgwick  & Jackson,  1936],
   95   96   97   98   99   100   101   102   103   104   105