Page 157 - Contribution To Phenomenology
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150                    ALGIS MICKUNAS

              exhausted,  it  switches  to  the  other  and  thus  redynamizes  the  cultural
              process.
                It  is  peculiar  that  Sorokin  would  regard  the  latter  process  to  be
              normal,  while  other  cultural  designs  as  abnormal.  The  distinct  features  of
              other  cultures  are  modes  of  deviation  from  the  dynamics  of  the  West.  It
              seems  that  Sorokin  overstates  his  case  by  accepting  a  modern  awareness
              of  the  West  as  the  standard.  Even  the  classical  Greeks  maintained  a  very
              close  intertwining  between  these  two  modes  of  awareness.  This  can  as
              well  be  said  of  various  Medieval  periods.  Thus  it  is  apparent  that  some
              Oriental  and  Mid-Eastern  modes  of  awareness  are  similar  to some  of  the
              Western  modes.  An  important  question  is  which  among  these  modifica-
              tions would yield  frameworks  for  processes  in  search  of  national  identities
              and  their  abihty  to  incorporate  the  modernizing  trends?
                While  Sorokin  seems  to  be  restricted  to  a  mode  of  awareness  most
              appropriate  to  Western  modernity,  he  leaves  a  basic  issue  concerning
              awareness  unattended.  What  is  it  in  the  Western  consciousness  that
              prompts  the  shifts  from  one  to  another  mode  of  symbolic  design,  and
             what  is  there  elsewhere  that  would  prevent  such  oscillations?  The
             problem  is  one  of  the  constitution of  crises.  And  this  problem  must  point
             to  a  possibility  that  if  the  Western  culture  is  more  dynamic,  then  it  might
             be  that  it  has  no  means  to  absorb  crises  and  may  thus  be  led  to  a  loss
             of  its  own  distinctness.  Whether  such a  loss  may  appear  with  moderniza-
             tion  is  a  question  still  to  be  addressed.
                Another  researcher  who  follows  a  binary,  although  somewhat  more
             elaborate  structure  of  symbolic  design,  is  Dumont.  He  claims  that
             complex  cultures are  distinguished  by their dominant ideologies, composed
             of  a  network  of  symbols  that  legitimate  the  relationship  of  an  individual
             to  society  in  a  hierarchical  pattern.^  For  him,  the  traditions  in  which  the
             individual  is  subject  to  a  society  are  normal;  the  modern  type  in  which
             the  individual  is  prior  to,  and  is  the  origin  of  culture,  is  abnormal.  The
             reason  for  this  claim  is  pragmatic:  normalcy  belongs  to  the  type  which
             is  best  suited  in  preserving  continuity  and  stability.  As  a  result,  an  all-
             encompassing  ideology,  which  subordinates  all  power,  must  be  at  the  top
             of  the  hierarchy,  while  the  lower,  the  praxis  level,  must  keep  power  and
             ideology  separate.  This  separation varies:  it  may  appear  with  a  distinction
             between  priest  and  ruler,  e.g.,  in  India,  or  church  and  state,  e.g.,  already



                ^  Louis  Dumont,  Essays  on  Individualism: Modem  Ideology  in  Anthropological
             Perspective (Chicago: The University of  Chicago Press, 1986).
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