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148                                           Power Up Your Mind

                                        The answers to these questions are complex, but worth pur-
                                  suing  further.  By  exploring  them,  we  may  be  able  to  understand
                                  more about the close connection between learning and creativity.
                                  Knowing  how  to  harness  your  own  creativity  is  one  of  the  most
                                  important  aspects  of  learning  to  learn.  For  in  these  “aha!”
                                  moments, there is no doubt that your mind is fully powered up and
                                  somehow operating in another gear.
                                        Creativity has only recently begun to be seen as part of learn-
                                  ing. The kind of learning valued in IQ tests held sway in schools
                                  and colleges for much of the twentieth century; to a large extent it
                                  still does. In this view of education, creativity is consigned to art,
                                  design, and music. Very little connection is made between the kind
                                  of innovation and entrepreneurial thought that is needed in busi-
                                  ness and the approach to learning being adopted by schools.
                                        The omission of creativity from the school curriculum had
                                  become so serious that one of the first acts of the Blair government
                                  after it came to power in Britain in 1997 was to set up a national
                                  advisory committee on creative and cultural education. As one of
                                  the members of this committee, Professor Susan Greenfield, puts it:


                            Original thought and respect for originality of others must surely lie at the
                            heart,  not  just  of  creativity,  but  also  individuality—our  only  chance  of
                            twenty-first-century escape from zombie-ness.


                                  In  too  many  schools  and  in  too  many  tests,  there  is  one  right
                                  answer to every question or problem. In life, especially in a world
                                  of rapid change, there is rarely one simple answer. There are nor-
                                  mally too many complex issues for a single point of view to suffice.
                                  And  this  is  quite  apart  from  the  fact  that  we  know  that  human
                                  beings have many more intelligences than the linguistic and math-
                                  ematical elements traditionally associated with IQ.
                                        Some people talk of a separate creative intelligence, but this
                                  misses the point. It suggests that creativity is an isolated aspect of
                                  the way we act. I am convinced that it is a much more pervasive
                                  attribute, an attitude of mind that can be applied to all we do.
                                        Creativity is increasingly being sought after as a key aspect of
                                  the  way  you  learn  and  perform.  As  the  authoritative  Alan
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