Page 96 - Purchasing Power Black Kids and American Consumer Culture
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"What Are You Looking At, You White People?"  .  81

          Malls,  of course,  have been extensively theorized  as spaces designed
       specifically  to  facilitate people's  consumer  fantasy lives  (Bauman  1993;
       Goss  1993;  Halton 1992), much in the same way that department stores
       have  been viewed  as  spaces  whose  intention  (and effect)  is to  loosen
       everyday concerns  and  responsibilities  (with sometimes disastrous  re-
       sults) (Leach 1984). In a detailed analysis of the  1991 film Scenes from  a
       Mall,  Russell Belk and  Wendy Bryce (1993) show in often painful  detail
       the way  in which  one couple's  emotional  lives are enmeshed with  the
       world  of consumption.  Although concerned with  a fictional pair named
       Nick  and  Deborah,  Belk and  Bryce show  through their  painstaking,
       step-by-step discussion the ways in which consumption  is put to work in
       specific  lives. The  bittersweet  role  of consumption  fantasies in  those
       lives figures  prominently.  While  Belk  and  Bryce are  far  from  being en-
       thusiastic about the degree to which Nick and Deborah seem to be living
       their lives exclusively through consumer channels, they avoid character-
       izing the two  as empty  automatons  who  cannot  help themselves. En-
       meshed  in the  spectacle of the mall, the two  nevertheless seem to  be liv-
       ing through  moments  of passion.  The  overriding tendency,  however
       (especially among postmodern  theories), is to  certify  mall experiences as
       essentially surfacey,  empty, alienating, fragmented. That  is, the  fantasies
       on  offer  at the mall are  fake  (as any  fantasy  must  be!)  and  draw  people
       into  a cycle wherein they continually take  on  and  cast  off commodities
       that might fill out their fractured identities.
          Despite the mass-produced  flavor  of the girls' romantic fantasies, it
       seems specious to  dismiss them  as merely the trappings of  postmodern
       consumerdom. For one, they indulge in these fantasies specifically within
       the space of the mall, a space that  is for them a protective place very dif-
       ferent from their neighborhood. Coming  as they do from  an area where
       plenty of girls have children by their early teens, fantasies about romance
       take on  a different  quality than  they might otherwise. Given the  pro-
       found  constraints  these girls faced  outside the mall, their physical and
       emotional freedom inside that space was revelatory: rather than hustling
       me away from  a man  because he might rape little girls, it is Natalia  who,
       upon  seeing my gaze resting upon a man, encourages me to imagine that
       we might fall in love.

       Christmas
       Ella  had sworn up and down that she was not going to do anything for Christ-
       mas but had broken down and prepared a Christmas  dinner of pork shoulder,
       succotash, cornbread, greens, and  sweet potato  pie.  There was a little Christ-
       mas tree set up in the front room, covered with tinsel garlands, lights, and a few
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