Page 318 - Harnessing the Management Secrets of Disney in Your Company
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A                                 Animal Kingdom theme park, 202, 221,
        ABB (Asea Brown Boveri), 116         267, 269–270
        Abbey Press, 45–46, 100           Animation:
        ABC 20/20 (TV program), 234–235, 236  cost of, 170
        ABC (television network), 109, 111, 131,   innovation, 3, 4, 6, 42–44, 108
            215, 223, 234, 236, 267, 269    quality, 43, 111, 203, 223
        Academy of Motion Picture Arts and   re-release policy, 42–43
            Sciences, xiii, 7, 84, 135, 175  storyboarding, 165–166
        ACSI (American Customer Service Index),   teamwork, 83–84
            271                           ANS (active noise system), 102, 178
        Active noise system (ANS), 102, 178  Apple Computer, 233, 270
        ADHD (Attention-Deficit/Hyperactivity   Appraisal, performance, 159–160, 164
            Disorder), 122–123            Appreciation of others, 96, 155, 164
        Advantage, competitive, 58, 75, 105, 212,   Aristotle, 157
            252                           Armed forces, resort for, 115
        Advertising, 137, 183–184, 185, 202, 205  Asea Brown Boveri (ABB), 116
        Aladdin (film), 170, 218          Association of Strategic Alliance
        Albrecht, Karl, 3                    Professionals, 105–106
        Alignment, mission and vision, 50–55  Atlantis: The Lost Empire (film), 218
        “All for one and one for all” (See Teamwork)  Attention-Deficit/Hyperactivity Disorder
        Allen, Thomas J., Jr., 90, 94        (ADHD), 122–123
        Alliances (See Partnerships)      Attitude and training, 157–158
        Altenbaumer, Larry F., 64         Auerbach, Red, 95
        American Customer Service Index (ACSI),   Awards (See specific companies)
            271
        AmerUs, 120                       B
        Anaheim, CA, real estate, 43–44   “Backstage,” behind the scenes as, ix
        Anderson, Eric, 166, 167          Bain Consulting, 62
        Animal House (film), 96           Bambi (film), 47, 61

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