Page 210 - Cultural Studies Dictionary
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SPIVAK, GAYATRI CHAKRAVORTY (1942– )



              intimate spaces whereas a front room or parlour is available for more public
              encounters.
                 The symbolic and power-saturated character of space can be grasped in relation
              to the concept of gender since gender relations vary across space and spaces are  187
              symbolically gendered. The classical Western gendering of space is manifested in the
              division between ‘home’ and ‘workplace’ which is articulated with the ‘private’ and
              the ‘public’. Thus, the home is regarded as the domain of the ‘private’ and the
              feminine whereas sites of paid work have been coded masculine within the public
              sphere. Homes have been cast as the unpaid domain of mothers and children,
              connoting the secondary values of caring, love, tenderness and domesticity. In
              contrast, places of paid work have been regarded as the domain of men, connoting
              the primary values of toughness (either physically or mentally), hardness,
              comradeship and reality.
              Links Code, gender, place, power, public sphere, symbolic

           Speech act The concept of a speech act is associated with the work of Austin who, after
              Wittgenstein, developed a philosophy of language that conceives of it in terms of
              actions. Hence the title of Austin’s 1962 book, How To Do Things With Words. By
              saying ‘I promise’, we are not simply offering information to our audience about
              promising, rather, we are enacting or performing a promise. That is, we are engaged
              in a speech act. In the same way, saying ‘I name this ship’ or ‘I take you as my
              wedded wife’ is performing the action of naming the ship and getting married. In
              order to name a ship or get married people say words that constitute the acts they
              name. Thus, a ‘performative’ is a statement which puts into effect the relation that
              it names as in the marriage ceremony’s ‘I pronounce you . . .’. In addition, Austin
              introduced the notion of felicity conditions by which speech acts in order to be
              felicitous, that is, in order to work, must satisfy certain conditions. Consequently,
              for an order to be felicitous it must be issued by someone deemed to have the power
              to do so.
                 Speech act theory is pertinent to discourse analysis within cultural studies and
              also to the widespread use of the concept of performativity, that is, it is a discursive
              practice that enacts or produces that which it names through citation and
              reiteration. Though originated by Austin in the context of speech act theory, Judith
              Butler popularized the concept of performativity within cultural studies during the
              1990s through her work on the construction of gendered identities. In particular,
              Butler conceives of sex and gender in terms of citational performativity and an
              iterable practice secured through repetition.
              Links Conversation, discourse analysis, language, language-game, performativity

           Spivak,Gayatri Chakravorty (1942– ) Indian-born Spivak is currently a professor in
              the Humanities Department of Columbia University in New York. She frequently
              cites Derrida as a major influence on her work, a claim that is evidenced in her
              deconstructive style of intellectual exploration and writing. At the same time her
              work seeks to maintain a strong connection to the cultural politics of feminism and
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