Page 213 - Cultural Studies Dictionary
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DICTIONARY OF CULTURAL STUDIES



                   lie outside of any given individual. Durkheim rejected the empiricist view that
                   knowledge is to be derived from direct experience seeking instead for what he called
                   ‘social facts’ that are socially constructed, culturally variable and  sui generis of
         190       particular consciousness. That is, they exist beyond individuals. For example, the
                   beliefs, values and norms of religions, specifically the contrast between Catholicism
                   and Protestantism, are said to account for variable patterns of suicide. In other
                   words, the most individual act possible, suicide, is accounted for by normative social
                   structures of belief.
                      However, it has been the work of Saussure rather than that of Durkheim which
                   has been most influential within cultural studies. Structuralism in this sense takes
                   signification or meaning production to be the effect of deep structures of language
                   that are manifested in specific cultural phenomena or human speakers. Here
                   meaning is not the outcome of the intentions of actors per se but of the language
                   itself. Thus, structuralism is concerned with how cultural meaning is generated and
                   understands culture to be analogous to (or structured like) a language. Saussure
                   argued that meaning is generated through a system of structured differences in
                   language so that significance is the outcome of the rules and conventions that
                   organize language (langue) rather than the specific uses and utterances which
                   individuals deploy in everyday life (parole). In short, Saussure, and structuralism in
                   general, is concerned more with the structures of language that allow linguistic
                   performance to be possible than with actual performance in its infinite variations.
                      Structuralism extends its reach from ‘words’ to the language of cultural signs in
                   general so that human relations, material objects and images are all analysed
                   through the structures of signs. In the work of Lévi-Strauss we find the
                   manifestation of structuralist principles when he describes kinship systems as ‘like
                   a language’ so that family relations are held to be structured by the internal
                   organization of binaries. For example, kinship patterns are structured around the
                   incest taboo that divides people into the marriageable and the prohibited. Also
                   typical of Lévi-Strauss’ structuralism is his approach to food that he declares to be
                   not so much good to eat, as good to think with. That is, food is a signifier of
                   symbolic meanings wherein cultural conventions tell us what constitutes food and
                   what does not, the circumstances of its eating and the meanings attached to it.
                      Lévi-Strauss tends towards the structuralist trope of binaries: the raw and the
                   cooked, the edible and the inedible, nature and culture, each of which has meaning
                   only in relation to its opposite. Cooking transforms nature into culture and the raw
                   into the cooked. Further, the edible and the inedible are marked not by questions
                   of nutrition but by cultural meanings. An example of this would be the Jewish
                   prohibition against pork and the necessity to prepare food in culturally specific
                   ways (kosher food). Thus binary oppositions of the edible–inedible mark another
                   binary, insiders and outsiders, and hence the boundaries of the culture or social
                   order. During the late 1960s and 1970s Barthes was to extend the structuralist
                   account of culture to the practices of popular culture and their naturalized
                   meanings or myths. He argued that the meanings of texts are to be grasped not in
                   terms of the intentions of specific human beings but as a set of signifying practices.
                   In sum, structuralism:
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