Page 24 - CULTURE IN THE COMMUNICATION AGE
P. 24

CULTURE  OF  THE  MIND

               responses to situations other than predation itself – the sight of violence
               or bloodshed occasioned by our fellow humans, for example.
                                                    (Ehrenreich 1997: 90–1)

            Grief, depression, and helplessness are all experiences of the prey. To escape
            these dismal states, folkloric narratives describe how the weak rise up against
            the strong, how lions are defeated by foxes and, in general, how small and weak
            animals and birds, deemed to be wiser than big animals and birds, are ultimately
            victorious in their tasks and struggles (Ehrenreich 1997: 83, 139). Because fear
            and anxiety continue to reside in humans today, our thoughts and feelings are
            drawn back to the perpetually unfinished revolt of the prey against the predator.
              In the fearful struggle to avoid the suffering  and  death  of  being  prey  to
            animals or other predators such as bands of people from other cultural groups,
            the cerebral cortex of  homo sapiens  has  developed  the  enduring  potential  to
            construct representations of the ‘other’ – the one who is di fferent from me/us,
            and who does not qualify for my/our own identity. ‘Other’ is a representation
            originating  in  dread  and  pain,  nurtured  in  suffering,  and  activated  by  the
            innately sensed predator–prey paradigm. The image of the one who is di fferent
            is held in the mind as a feeling of terror, a symbolic wild beast.
              In the poetry of William Blake (1982), for example, we can experience this
            beast in its full terror and beauty, and in its uneasy relation to humankind and
            to the deity:

               Tiger! Tiger! burning bright
               In the forests of the night
               What immortal hand or eye
               Dare frame thy fearful symmetry?
               ...
               When the stars threw down their spears,
               And watered heaven with their tears,
               Did he smile his work to see?
               Did he who made the Lamb make thee?


                                    Fear and anger
            Emotional expression appears in sight, sound, smell, and touch early in the life
            of a child. When only a few days old, an infant sees the smile of the mother, and
            by the age of two to four months responds in kind. The exchange of smiles
            between  mother  and  child  reflects  the  evolutionary  origins  of  emotions  as
            control mechanisms in human relations (Johnson-Laird 1988: 91). Emotion
            saturates  and  guides  interpersonal  interaction.  To  communicate  with  others
            successfully, an individual must have a refined perception of how those others
            feel.

                                          13
   19   20   21   22   23   24   25   26   27   28   29