Page 265 - A Handbook Genre Studies in Mass Media
P. 265

INDEX

                  Big Brother shows, 16–17, 107, 119–120,   Combs, Sean “Puffy,” 168
                     122–123, 158, 183–184, 203, 208  Comedy genre, 9, 12, 201. See also specific
                  Biggest Loser, The, 10, 199         title
                  Big Sleep, The (1946), 176–177  Comfort function, 15–16
                  “Black” film, 175–176            Community service function, 6, 16
                  Blair Witch Project, The, 219   Comparative media approach, 16–22
                  Blind Date, 20                  Competing function, 7
                  Bocho, Steven, 73               Conflict, 41–43, 42, 221
                  Bold and the Beautiful, The, 43–44, 122  Congratulations!, 140
                  Books, 20. See also specific title  Conservative sensibility, 201–203
                  Boxer, Sarah, 19–20             Considine, Shaun, 30
                  Boykin, Keith, 155              Consumer ideology, 153, 159–160
                  Braudy, Leo, 128–130, 134–135   Contender, The, 213
                  Braveheart (1995), 68           Cooking Channel, 23
                  Briggs, Jeff L., 19             Cooper, James Fenimore, 18
                  Brill, Shari Ann, 196–197       Copycat programming, 203, 206
                  Brkich, Amber, 41, 42, 49       Core, The (2003), 35
                  “Buddy” genre, 120–121. See also specific title  Corruption, industry, 207
                  Burg, Eric, 170–171             Cortez, Debi, 227
                  Burke, Ken, 33, 110             Corvo, David, 69–70
                  Burton, Tim, 178                Counterculture of youth, 95-97
                  Bush administration, 116, 142, 152  Courtroom drama genre, 38–40. See also
                                                      specific title
                  Camel News Caravan, 213         Court TV genre, 148–149
                  Camera positions, 172, 179–180  Cowell, Simon, 48
                  Campbell, Joseph, 220–221       Craven, Wes, 11, 41
                  Carey, Mariah, 160              Creative dissolution, 12
                  Carson, Johnny, 32–33           Crichton, Michael, 75
                  Carter, Bill, 55, 70, 199       Crime, 109–110, 113–116
                  Carthartic function, 12         Crittercam, 21–22
                  Carville, James, 154            Crossing Jordan, 80–81
                  Cawelti, John, 28, 221          CSI franchises, 52, 56, 79, 159, 212
                  Celebrity genre, 109, 128–135, 148–149, 163  Cultural context
                  Chandler, Raymond, 80            color and, 174
                  Characters                       community service function and, 16
                   in formulaic analysis, 28, 49, 50, 51  counterculture of youth and, 95–97
                   franchise, 56                   customs and mores, 123
                   historical context and, 68, 79–82  genre analysis, 113, 128–135
                   ideological context and, 157–158  inter-genre analysis, 124–125
                   twists and, 55                  international perspectives and, 121–124
                  Cheers, 206                      lines of inquiry, 125–128
                  Cherry, Marc, 118–119            overview, 106–107
                  Chevigny, Katy, 69               plot and, 123
                  China, 124, 139, 141–142         political events and, 123–124
                  Chow, Jason, 71–73               preoccupation and, cultural
                  Clear Channel Communications, 144   appearance, 108–109
                  Clinton, Bill, 149                  celebrities, 109
                  Clinton, Hillary Rodham, 153–154    crime, 109–110, 113–116
                  Coca-Cola, 25                       defining, 107–108
                  Cohen, Larry, 10                    sex, 108
                  Colbert Report, The, 29, 144–145  sensibility and, cultural, 123
                  Colbert, Stephen, 29, 145–146, 145  worldview and, 116–121
                  Colonial House, 190–192, 193    Cultural ideology, 136
                  Color, 174–175, 191–192         Cumulative messages, 4
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