Page 266 - A Handbook Genre Studies in Mass Media
P. 266

INDEX

                  Currlin, Roy, 24                Expectations (continued)
                  Cutler, R.J., 155                in 1970s, 97–101
                                                  Extreme Makeover shows, 165-166, 214,
                  Daily Show, The, 70, 144, 146       230
                  Dallas, 55
                  Dave (1993), 115–116            Fairy tale, 37
                  Day After Tomorrow, The (2004), 35  Farenheit 9/11 (2004), 69
                  Days of Our Lives, 44, 200      Fashion Channel, 109
                  Deadline, 69                    F.E.A.R. (video game), 34
                  Dead Prez, 153                  Federal Communications Commission, 207
                  Deathdream (1972), 148          “Feel good” genre, 10. See also specific title
                  Death Wish films, 12             Fenin, George N., 226
                  Deery, June, 182, 184           Film, 20. See also specific title
                  Del Toro, Guillermo, 10–11, 143  Film noir, 175–176
                  Demolition genre, 12            Finkel, Debra, 231–234
                  De Moraes, Lisa, 106–107        Finney, Daniel P., 74–75
                  Derivative programming, 203–206  Firestone, Andrew, 63
                  Desperate Housewives, 118–119   Fisher, Andrea, 175
                  Die Hard films, 30               Flintstones, The, 74
                  Dimond, Diane, 149              Fluet, Norm, 12
                  DiSanto, Tony, 173              Fontana, Tom, 214
                  Discovery Channel, 196          Formulaic analysis. See also specific element
                  Dixie Chicks, 143–144            creativity and, 29
                  Docudramas, 68                   elements
                  Domestic fiction, 22                 characters, 28, 49, 50, 51
                  Doofus Dads, 81                     plot, 28, 30, 40–42, 42
                  Double Indemnity (1944), 176, 222–223  premise, 28, 33–35
                  Doyle, Arthur Conan, 80             setting, 51–52
                  Dreiser, Theodore, 176              structure, 28, 35–40, 37
                  Dr. Phil, 15                        trappings, 28, 52–53
                  Dumb and Dumber (1994), 121      evolution of formula, 31–33
                  Dylan, Bob, 30                   franchises, 56
                  Dynasty, 55                      genre analysis, 62–65
                                                   lines of inquiry, 56–62
                  Edelstein, David, 143, 148       overview, 28–31
                  Editing, 173–174, 186, 187, 193  of reality genre, 62–65
                  Education function, 6–8          success of genre and, 29
                  Ekulu (1994), 123                twists, 53–56
                  Elliot, Stuart, 55, 82          Formulative stage, 31–32
                  Eminem, 143                     Fox 21, 197
                  E-Network, 109                  Fox Network, 142, 197, 206
                  Entertainment function, 6       Framing, 193
                  Entrapment of youth culture, 101–103  Franchises, 56, 212–214
                  Escape function, 14–15          Frank, Betsy, 21
                  Eslami, Ahmad, 147              Frankenstein (Shelly), 117–118
                  Eternal Sunshine of the Spotless Mind   Fraser, George MacDonald, 68–69
                     (2004), 29                   Frasier, 206
                  Everson, William K., 226        Frazier, Rick, 183
                  Everwood, 51–52                 Friends, 51, 68, 160, 206
                  Everybody Loves Raymond, 70     Frons, Brian Scott, 113, 205
                  Exorcist, The (1973), 9, 9, 219  Function
                  Expectations                     advertising, 6
                   in 1950s, 90–95                 carthartic, 12
                   in 1960s, 95–97                 comfort, 15–16
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