Page 267 - A Handbook Genre Studies in Mass Media
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INDEX
Function (continued) Genric programming, 3, 17–18, 20, 24,
community service, 6, 16 110, 202–203
competing, 7 Genzlinger, Neil, 75–76, 118
defining, 5 Ghararah, Muhammad Abu, 151
education, 6–8 Gibson, Kara, 181–189
entertainment, 6 Gildehaus, Jerry, 174
escape, 14–15 Gillespie, Pat, 138
ideological context and, 150–154 Gilmore Girls, 15
latent, 5–7, 142, 205 God of War (video game), 218
manifest, 5–6, 142 Golf matches, 199–200
persuasion, 8–9, 150–152 Gonzalez, Patricia, 69
socialization, 13–14 Goodfellas (1990), 157
therapeutic, 9–13 Good Girls Don’t . . . , 35
Goodwin, Richard, 71
Gabler, Neal, 28 Government Accountability Office, 152
Galaxy Quest (1999), 231–234 Grace, Nancy, 149
Gana la Verde (With the Green), 25–26 Grand Theft Auto (video game), 14
Garry, Joan, 110, 112 Great Race, The, 47
Gateley, Liz, 120 Guiding Light, 44–45, 213
Gay and Lesbian Alliance against Gunsmoke, 18, 208
Defamation (GLADD), 107 Guthrie, Arlo, 95
G.E. College Bowl, The, 71
Gender, 55, 120 Hacker, Beverly, 189–194
General Electric, 201 Hall, Adriane, 128–135
General Hospital, 44 Haltzman, Scott, 81–82
Genre. See also Genre analysis; Process of Haralovich, Mary Beth, 182
analysis; specific type; Subgenre Hardy, Andy, 86
affective responses and, 9–11 Harry Potter films, 122
“bankable,” 202–203 Hartley, Ted, 202
cyclical nature of, 207–210 Hate crime, 107
defining, 3 Heffernan, Virginia, 158
elements of, 3 Hennessy, Jill, 81
evolution of, 208–210 Herold, Charles, 218, 220
examples of, 3 Highet, Gilbert, 217
history of, tracing, 70–77 Hills, Howard, 227
introduction of, 35 Hilton, Paris, 149, 155, 160
media literacy approach to studying, 3–4 Historical context
myth and, transmission of cultural, characters and, 68, 79–82
224–229 docudramas and, 68
political ideology and, 138–139 genre analysis, 84–105
production elements and, 172 history of genre, tracing, 70–77
social commentary and, 143–148 inter-genre analysis of, 82
success of, 29 lines of inquiry, 82–84
title of, 35, 155 overview, 66–70
worldview and, 3 plot and, 78–79
Genre analysis. See also Inter-genre popularity of genre and, 70
analysis premise and, 77–78
cultural context, 113, 128–135 reality genre and, 70
economic indicators and, 76 Hitchcock, Alfred, 223
formulaic, 62–65 Hit Song Science software program, 31
historical context, 84–105 Holson, Laura M., 199
ideological context, 162–168 Homicide, 154
mythic context, 231–236 Homosexuality, 106–107, 110,
production elements, 181–194 112–113
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