Page 268 - A Handbook Genre Studies in Mass Media

INDEX

Horror genre, 9, 12, 36, 143, 169, 221–224. Intertextuality, 206
See also specific title Introductions of genres, 35
Hour el Ayn (The Beautiful Virgins), 8–9 iPod, 22
House Calls (Web talk show), 17 Iranian films, 123
House, M.D., 55 Iraqi war television series, 73
Humiliation, ritualistic, 48 Ivry, Bob, 40, 120
Hunter, Stephen, 115 I Want to Be a Hilton, 149, 155
Hybrids, 203–205 I Want a Famous Face, 109, 165
Ideological context “Jack,” 22
allegories and, 146–148 Jackson, Michael, 149
characters and, 157–158 Jake in Progress, 202
function and, 150–154 James, Caryn, 170
genre analysis, 162–168 Janusonisis, Michael, 147
ideology and, defining, 136 Jeopardy, 71, 169–170
inter-genre analysis, 158–160 Jerry Springer Show, 48, 110, 111–112
lines of inquiry, 160–162 Joe Millionaire, 166–167, 197, 208
overview, 136–143 Joey, 206
parody and, 144–146 Johar, Karan, 174
plot and, 157 Johnson, Kirsten, 69
point of view and, 148–150 Johnson, Lucy, 24
premise and, 154–156 Jones, Nora, 31
propaganda and, 152–153 Jung, Carl, 223
reality genre and, 143, 162–163 Just Like Heaven (2005), 77–78
social commentary and, 134–148
social control and, 153 Kabhi Khushi Kabhie Gham (2001), 174
social system and, 158–159 Kahl, Kelly, 42
structure and, 156–157 Kaufman, Charles, 29
worldview and, 150 Kaun Banega, 121–122
Ideological context genre analysis, 162–168 Kay Kyser’s Kollege of Musical Knowledge,
Iger, Robert, 48 71
I Love Lucy, 29 Kehr, Dave, 113
Image enhancement, 6 Keith, Tony, 143
Inception stage, 208 Kellner, Jamie, 201–202
Industry perspective Keoghan, Phil, 42–43
abuses, 207 Khouri, Rami, 137–138
conservative sensibility, 201–203 Kids’ Choice Awards, 141
cyclical nature of genres, 207–210 King, Larry, 146
derivative programming, 203–206 King of Queens, The, 81
lines of inquiry, 215–216 Klawans, Stuart, 124
overview, 195–201 Koch, Barb, 234–236
profit, 198–200 Koppel, Ted, 9, 198
revenue streams, 210–214 Kovacs, Ernie, 32–33
structure and, 200 Kozlowski, Dennis, 157
Information Please, 70–71 Kristof, Nicholas D., 76–77
In the Line of Duty, 79 Kronke, David, 79
Inter-genre analysis. See also Genre Kuczyanski, Alex, 195–196
analysis
cultural context, 124–125 Lacah, Nick, 163
historical context, 82 Laguna Beach, 120, 173, 226–227, 228
ideological context, 158–160 Last Dance, The (2000), 118
mythic context, 229–230 Last of the Mohicans, The (Cooper), 18
Internet, 19 Latent function, 5–7, 142, 205
Interpolated elements, 40 Latent messages, 4, 17
253