Page 269 - A Handbook Genre Studies in Mass Media

INDEX

Latent subplots, 47 Maynard, Ghen, 183
Law and Order, 38–39, 39, 55–56, 81, 156, May, Rollo, 218–220
200, 209 McCloud, Scott, 19
Lawrence, D. H., 12 McDonagh, Maitland, 148
Lay, Ken, 157 McDonald, Ross, 80
Leatherstocking Tales (Cooper), 18 McGinn, Colin, 15–16
Leave It To Beaver, 81 Media literacy approach to genre studies,
Lebanese Broadcasting Corporation (LBC), 3–4
136 Media messages, 4
Leno, Jay, 32 Mendelsohn, Carol, 80
Leresh, Mohammed, 52 Menon, Ravinath, 28
Lethal Weapon films, 30 Mexika Eagle Society, 69
Letterman, David, 33, 144 Michelin, Alexandre, 123
Level 9 (2000), 75 Middle East Broadcasting Company, 8–9
Levenson, Lisa, 203 Midlin, Alex, 213
Levi Strauss & Company, 205 Midway Games, 202
Libby, I. Lewis “Scooter,” 79 Miller, Don, 218
Lieberman, Joseph, 48 Miller, Judith, 79
Lighting, 175–177, 190–191 Mission, The, 150–151
“Like a Rolling Stone,” 30–31 Mobster genre, 14, 109, 156–157. See also
Limin, Xie, 141 specific title
Lines of inquiry (for further study) Monday Nitro, 55
cultural context, 125–128 Mongolian Cow Sour Yogurt Supergirl
formulaic analysis, 56–62 Contest, The, 141–142
historical context, 82–84 Montel, 110, 111–112
ideological context, 160–162 Moonves, Leslie, 201
industry perspective, 215–216 Moore, Michael, 69
mythic context, 230–231 Moral instruction, 13–14, 157
process of genre analysis, 26–27 Morphological analysis, 37
production elements, 180–181 Mos Def, 153
Lipson, Hod, 75 Mountain, The, 55
Lo Hong-shui, Vincent, 139 Movement, 178–179
Lolosoli, F. D., 52 Moyers, Bill, 219
Love Cruise, 70 MTV Cribs, 159–160
LucasArts, 24 Murphy Brown, 35
Murray, Henry A., 217
MacFarquhar, Neil, 150 Murray, Jonathan, 18, 173
MacIntyre, Nancy, 24 Music, 143–144, 180, 185, 187, 192
Magnificent Seven, The, 115 Musicals, 179
Maines, Natalie, 143–144 My Cousin Vinny (1992), 40
Making the Band, 168 Myth of the American Frontier, 225
Maltese Falcon, The (1941), 176, Mythic context
177 beliefs and, cultural, 228–229
Manifest function, 5–6, 142 genre analysis, 231–236
Manifest messages, 4 historical period and, 225–226
Mariano, Rob, 41, 42, 49 idealized times and, 227
Marino, Charles, 159 inter-genre analysis, 229–230
Marin, Rick, 81 lines of inquiry, 230–231
Ma Rocca, 146 myth and, transmission of cultural,
Marshall, Greg, 22 224–229
Materials and Labor, 66–67, 124 overview, 217–220
Matrix films, The, 19–21, 75, 179 places and, 226–227
Mature stage, 33 premise and, 220–224
Maury Povich, 110, 111–112 themes and, 220–224, 222
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