Page 61 - An Introduction to Political Communication Third Edition
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POLITICS IN THE AGE OF MEDIATION

                who bemoan the ascendancy of the image as a deciding factor in
                voting behaviour. The trend is alleged to represent a move away
                from the rationality of the democratic ideal to a more irrational,
                fickle political process in which the ‘real’ issues are marginalised by
                trivial considerations of appearance and personality.
                  An opposing argument asserts that the importance of image is
                overstated. How, such voices ask, did George Bush – Doonesbury’s
                ‘invisible man’ – win the 1988 presidential election? How did John
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                Major, whose Spitting Image puppet portrayed him with a deep
                grey  pallor,  defeat  the  more  charismatic  Kinnock  in  1992?  The
                suggestion here is that voters are in fact less vulnerable to manipu-
                lation by glossy images than has become the received wisdom, and
                that, in any case, one voter’s attractive, homely leader is another’s
                synthetic conman. John Major’s success in the 1992 general election
                has been attributed by some to the fact that he was not packaged
                in the manner of a Reagan, Thatcher or Kinnock, but stood for
                himself, warts and all. Some observers detected a backlash in the
                1990s to the parties’ focus on image (Bruce, 1992), and a return to
                ‘authentic’ campaigning tactics, although this predated the election
                of Tony Blair as the Labour leader in 1994 and his party’s landslide
                victories in the subsequent elections of 1997 and 2001. Both events
                have been perceived, correctly, as triumphs of political marketing
                and image management (the re-branding of Labour as ‘New’ and of
                Tony Blair as the young, dynamic, family-loving good guy, in stark
                contrast to the left-wing bogey men of Labour’s yesteryear).
                  Linked to the rise of ‘the image’, and exemplified by the story of
                New Labour, is the rise of the image-maker. Chapter 7 discusses
                this category of political actor in greater detail. Here, we note the
                view of many observers that politics should best be conducted by
                politicians,  rather  than  by  the  growing  ranks  of  professional
                pollsters, advertisers, marketing consultants, and public relations
                experts  now  routinely  employed  by  organisations  to  design  and
                organise  their  political  communication  strategies.  If  policies  are
                increasingly  determined  by  public  opinion,  then  the  design  and
                presentation of policy has been delegated to those whose interests
                are not necessarily those of the public.



                        THE RISING COSTS OF CAMPAIGNING

                More tangibly, the cost of campaigning, as measured in pounds and
                pence, dollars and cents, is argued to have increased dramatically.


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