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Internet and Its Rad cal Potent al  |  1

              Globalization  of  Hollywood;  Transmedia  Storytelling  and  Media  Franchises;
              World Cinema.
              Further reading: Adorno, Theodor. The Culture Industry: Selected Essays on Mass Culture.
                 London:  Routledge,  1991;  Altman,  Rick.  Film/Genre.  London:  BFI  Publishing,  1999;
                 duGay, Paul, ed. Production of Culture/Cultures of Production. London: Sage, 1997; Git-
                 lin, Todd. Inside Prime Time. New York: Pantheon Books, 1985; Gray, Jonathan. Televi-
                 sion Entertainment. New York: Routledge, 2008; Hartley, John, ed. Creative Industries.
                 Malden, MA: Blackwell Publishing, 2005; Hesmondhalgh, David. The Cultural Indus-
                 tries. Thousand Oaks, CA: Sage, 2002; Mittell, Jason. Genre and Television: From Cop
                 Shows to Cartoons in American Culture. New York: Routledge, 2004; Murray, Susan, and
                 Laurie Ouellette, eds. Reality TV: Remaking of Television Culture. New York: New York
                 University Press, 2004; Neale, Steve. Genre and Hollywood. New York: Routledge, 2000;
                 Negus, Keith. Music Genres and Corporate Cultures. London: Routledge, 1999; Steinert,
                 Heinz. Culture Industry. Cambridge: Polity, 2003; Wyatt, Justin. High Concept: Movies
                 and Marketing in Hollywood. Austin: University of Texas Press, 1994.
                                                                        Jason Mittell



              internet and its radiCal Potential
                As cyberspace becomes interwoven with the developmental life of individu-
              als, their cultures, and their societies, the Internet increasingly coordinates and
              structures communications. Social scientists and humanities researchers debate
              how and whether the Internet reinforces existing power relationships, or frees
              up sociality from entrenched controls. This article offers a social history of the
              Internet. In the process, it explores the Internet’s “radical potential” for transfor-
              mative social change.
                Networking and electronic messaging lay on the fringes of geek subculture
              for decades before the Internet introduced cyberspace to American consumer
              culture.  The  Internet  was  once  the  esoteric  domain  of  information  scientists
              working in the U.S. military industrial complex in the 1960s. Its subsequent
              exploration and development by visionary technologists with communitarian
              ideals (the so-called New Communalists) exposed some radical potentials of
              networking for communications. However, the takeover of the Internet by con-
              solidated media and telecom companies threatens to transform the Internet into
              another mass media platform.


                oPEn nETworks BasED in miLiTary TEChnoLogiEs
                The early Internet was developed to be a “dead man’s switch” for nuclear re-
              taliation against a first strike by the USSR. Military, industrial, and academic
              collaborations  on  early  digital  networking  supported  the  Internet’s  develop-
              ment. The stockpiling and preparation of a continual nuclear deterrent was at
              the center of the U.S. Cold War strategy. After 1953, both the United States and
              the Soviet Union maintained thermonuclear weapons deliverable via bombers,
              and later, via intercontinental ballistic missiles. The tenuous balance of the peace
              hinged upon the deterrent effect of a “mutually assured destruction” (MAD)
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